Sold Date:
May 31, 2016
Start Date:
May 25, 2016
Final Price:
$39.95
(USD)
Seller Feedback:
11227
Buyer Feedback:
104
APHRODITE’S CHILD – 666. Missing Vinyl MV 032. Greek distributed; pressed in The Netherlands. FACTORY SEALED NEW VINYL RECORD 2-LP SET. Originally issued in 1972. This edition issued in 2012; remastered from the original analog tapes. Pressed on 180g vinyl in a limited edition of 1000 copies, includes original gatefold cover artwork. MEMBERS: Vangelis Papthanassiou, Demis Roussos, Lucas Sideras, and Silver Koulouris with Harris Halkitis, Michel Ripoche, John Frost, and Irene Papas. Text written by Costas Ferris. TRACKS: The System, Babylon, Loud Loud Loud, The Four Horsemen, The Lamb, The Seventh Seal, Aegian Sea, Seven Bowls, The Wakening Beast, Lament, The Marching Beast, The Battle Of The Locusts, Do It, Tribulation, The Beast, Ofis, Seven Trumpets, Altamont, The Wedding Of The Lamb, The Capture Of The Beast, ∞, Hic And Nunc, All The Seats Were Occupied, and Break. DESCRIPTION: 666 was Aphrodite’s Child’s magnum opus, their third and last album. Late in 1970, the band began to record a musical adaptation of the biblical Book of Revelation, to be titled 666. Essentially, it was Vangelis' concept, created with an outside lyricist, Costas Ferris. The music that Vangelis was creating was much more psychedelic and progressive rock oriented than anything the band had done before, which did not sit well with the other band members, who wished to continue in the pop direction that had brought them success. Furthermore, Roussos was being groomed for a solo career, whereas Vangelis had recorded the score for L'Apocalypse des animaux. The double album 666 was finally released in June 1972, and sold over 20 million copies, but by then the band had already split. Vangelis and Roussos pursued successful solo careers, Roussos as a pop singer and Vangelis first in electronic music, then in movie soundtracks. This Missing Vinyl release was pressed in a limited edition of 1,000 copies on deluxe 180g vinyl, sourced from the original analog master tapes. The jacket and labels reproduce the original artwork from the first pressing with the Vertigo swirl labels; audiophile edition pressed by Music On Vinyl Records (Netherlands).
For your further reading enjoyment and enlightenment I offer the following description that I put together for an earlier CD edition:
The landmark 1972 album by the Greek act led by Vangelis, a concept album about the Bible's Book Of Revelations, it contains all 24 tracks from the original release on Vertigo, including the near hit Break. This is an album not easily pigeon-holed. If an American or British band tried to create something "mystical" on this scale it probably wouldn't work. But take a pack of Greek expatriates living in Paris in 1970, who had previously shown that they were far too bizarre to create anything remotely pop or mainstream (though they were obviously trying with previous Aphrodite's Child singles), and something of the mysteries of their homeland created a template into which some truly ancient musical, lyrical, and philosophical ideas flowed. It's clear when listening to this album that there is nothing contrived about it. It sounds as if, for a brief moment in time, a common subconscious urge drove everyone involved in the project toward a common goal. There are some familiar elements--excellent rock guitar by Silver Koulouris, powerful drumming from Lucas Sideras, excellent production values that still stand head to head with today’s crop of releases, and some excellent early synth work. All the Mediterranean percussion and various stringed instruments do not come off as an attempt to make the recording "exotic." Rather, it is those instruments and vocals that, as good as the rock playing is, seem most natural to the players. Without getting too far out there, it sounds like some troubadours from ancient Athens jumped up 2500 years and plugged in. This album is dense (All The Seats Were Occupied), varied (studio effects; narration; jamming; "outside" playing), frightening (Seven Trumpets; the orgasmo vocals on Infinity), beautiful (Break), and often simply stunning (The Four Hoursemen). This album is "progressive rock" only to the extent that some very ancient ideas are being expressed with some modern tools. Nothing in Aphrodites Child's previous recording showed any signs that this album was coming, and nothing Vangelis did later (with the exception of his first solo album Earth) carried these ideas any further. It's like Athena sprung full-grown from their collective heads in the studio, then split. Don't let the title scare you off--it ain't devil music, and it sure ain't Christian music either. It seems older than that; a true one-of-a-kind, for those that can handle it. This was their third and final album. The band members were not on speaking terms during its recording in late 1970 into early 1971, and had already split up long before its release in 1972, perhaps the reason for its delayed release. Despite this, 666 remains their most memorable album and has cultivated its own following as an acknowledged psych classic. The original storyline of text-writer Costas Ferris concerned a circus troupe that throws a show in a circus tent based on the Apocalypse of the Book of Revelations, filled with spectacular lights and sounds. However, while the show is going on in the circus tent, the real Apocalypse begins to occur outside, the audience believing it to be part of the show. At the end, the big tent disappears, and the two 'shows' unite in a melding of illusion with reality. No proper review of this album can close without mention of its piece de resistance, the infamous "∞," with guest vocals by famed Greek actress Irene Papas accompanied solely by improvised ritualistic percussion by Vangelis. This track was deemed blasphemous by parent label Phonogram Records because of Papas' simulated orgasm, as she chants away cyclically "I was I am I am to come" with a level of fierce possession that later created a window of opporunity for Diamanda Galas. However, you can’t help being impressed by, dare I say “in awe” of, Papas' emotional abandon in delivering her alpha-omega mantra, constantly varying with astonishing creativity parameters of intonation, volume, rhythmic accentuation. 666 is and remains an essential classic that belongs in any decent collector’s hoard.
THIS ITEM IS NEW AND UNPLAYED. Used items will include condition details for the cover, disc, inserts, etc.
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TERMS AND ABBREVIATIONS:
SS or SLD: Still Sealed or Sealed (or some variation of sealed depending on how many characters I have left in the title line). This item is new and unplayed. Also appears in the listing description as Sealed LP or Factory Sealed LP.
NEW LP: This item is new and unplayed, but was received from a supplier without being shrink wrapped or cellophane wrapped; more common on imports but also many of the smaller independent US labels do not seal their LPs.
GFC: Gate fold cover.
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RE: Reissue
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