MEET THE SUPREMES Faces Cover FROM 64-THE LP THAT STARTED IT ALL-SWEET & TENDER

Sold Date: August 18, 2017
Start Date: August 13, 2017
Final Price: $40.00 (USD)
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Buyer Feedback: 0


MEET THE SUPREMES Faces Cover FROM 64-THE LP THAT STARTED IT ALL-SWEET & TENDER




A VG PLUS LP ON MOTOWN 606

FROM 1964 A DEEP GROOVE MONO PRESSING WITH FACES COVER

PRODUCED BY BERRY GORDY JR., AND WILLIAM ROBINSON

WITH THE ORIGINAL MOTOWN/TAMLA/GORDY RED INNER SLEEVE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
The romantic and sentimental "Your Heart Belongs to Me," written by Smokey Robinson, should have been the Supremes' first hit. It's every bit as charming as his chartbusters for Mary Wells. Diana Ross' sweet tender lead, assisted by Mary Wilson and Florence Ballard's warm harmonies, could melt icebergs. Ross' vocals on "Who's Lovin' You" are intense and bluesy; Wilson leads the soulful "Baby Don't Go"; and Ballard leads the raucous "Buttered Popcorn," a tune more suited for the Contours. "I Want a Guy," their first recording, had been done by the Marvelettes -- the backing voices are buried, and Ross' voice sounds whiny and high-pitched. This song, along with the '50s-sounding "He's Seventeen," are the only bummers. Ballard shines again on "Let Me Go the Right Way," delivering a tough vocal on top of Ross and Wilson's enthusiastic vocals. "Time Changes Things," written by Brian Holland, Lamont Dozier, and Janie Bradford, was a forerunner to later efforts by Holland-Dozier-Holland. Blues lovers will relish the torching "Play a Sad Song." "Never Again" is straight '50s doo wop; if you didn't know, you would think it was the Chantels.

COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. TOP LEFT EDGE WITH SMALL SPLIT ABOUT AN INCH. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH SOME FAINT RUB MARKS. THE HIGH LUSTER VINYL BLANK WITH A VERY FEW LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION AND WHICH NEED TO BE LOOKED FOR TO BE SEEN. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.

FROM A NOTED REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 100 PLUS WHEN SEEING THE LIGHT OF DAY

PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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