Pee Wee Crayton ‎– After Hours Boogie Label: Blues Boy ‎– BB-307 Format: Vinyl, LP, Compilation, Mono, Gatefold Country: Sweden Released: 1988 Genre: Blues Style: Rhythm & Blues TracklistHide Credits A1After Hours Boogie Bass – Commodore Lark Drums – Chuck Walker Piano – Ivory Joe Hunter Tenor Saxophone [Either] – John "Pat" Patterson* Tenor Saxophone [Or] – Eddie Taylor 2:59 A2Don't Ever Fall In Love Bass – Bill Davis (2) Piano – David Lee Johnson 2:49 A3Some Rainy Day Accompanied By – Harry Edison's His Orchestra* Bass – Joe Comfort Drums – Alvin Stoller Piano – Arnold Ross Saxophone, Trombone – Unknown Artist Tenor Saxophone – Ben Webster Trumpet – Ernie Royal, Harry "Sweets" Edison* 2:46 A4Baby, Pat The Floor Accompanied By [?] – Red Callender Sextette* Bass – George "Red" Callender* Drums – Forest "Chico" Hamilton* Piano – Eddie Beal 2:30 A5Why Did You Go Bass – Commodore Lark Drums – Chuck Walker Piano – Ivory Joe Hunter Tenor Saxophone [Either] – John "Pat" Patterson* Tenor Saxophone [Or] – Eddie Taylor 2:52 A6Pee Wee Special Bass – Bill Davis (2) Piano – David Lee Johnson 2:42 A7I'm Still In Love With You Bass – Bill Davis (2) Drums [Either] – Candy Johnson (3) Drums [Or] – Cake Wichard* Piano – David Lee Johnson 2:15 A8Crying And Walking Accompanied By – Red Callender Sextette* Baritone Saxophone – Hubert "Bumps" Myers* Bass – George "Red" Callender* Drums – Forest "Chico" Hamilton* Piano – Eddie Beal Tenor Saxophone – Maxwell Davis Trumpet, Alto Saxophone – Unknown Artist 2:56 A9Pee Wee's Hop Bass – Unknown Artist Piano – Cecil Gant 2:24 A10Have You Lost Your Love For Me Tenor Saxophone, Baritone Saxophone, Piano, Bass, Drums – Unknown Artist 2:09 B1The Telephone Is Ringing Baritone Saxophone – McKinley "Mack" Easton* Bass – Quinn Wilson Drums – Paul Gussman* Effects [Telephone Bell] – Unknown Artist Guitar – "Lefty" Bates* Piano – Horace Palm* Tenor Saxophone – James "Red" Holloway* 2:49 B2Guitar After Hours Accompanied By – Red Callender Sextette* Bass – George "Red" Callender* Drums – Forest "Chico" Hamilton* Piano – Eddie Beal 1:47 B3I Love You So Bass – Bill Davis (2) Drums [Either] – Candy Johnson (3) Drums [Or] – Cake Wichard* Piano – David Lee Johnson 2:53 B4Hillbilly Blues Accompanied By – Robert "Bumps" Blackwell Orchestra* Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Piano, Guitar, Bass, Drums – Unknown Artist 2:34 B5Pappy's Blues Accompanied By – Red Callender Sextette* Bass – George "Red" Callender* Drums – Forest "Chico" Hamilton* Piano – Eddie Beal Tenor Saxophone – Hubert "Bumps" Myers*, Maxwell Davis 2:30 B6Git To Gittin' Accompanied By – Robert "Bumps" Blackwell Orchestra* Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Piano, Guitar, Bass, Drums – Unknown Artist 2:15 B7I'm Your Prisoner Accompanied By [?] – Red Callender Sextette* Bass – George "Red" Callender* Drums – Forest "Chico" Hamilton* Piano – Eddie Beal 3:01 B8A Frosty Night Baritone Saxophone – McKinley "Mack" Easton* Bass – Quinn Wilson Drums – Paul Gussman* Guitar – "Lefty" Bates* Piano – Horace Palm* Tenor Saxophone – James "Red" Holloway* Trumpet – Unknown Artist 2:36 B9I'm Still In Love With You Accompanied By – Shorty Rogers Orchestra* Alto Saxophone, Tenor Saxophone, Piano, Bass, Drums – Unknown Artist 2:07 B10Look Up And Love Tenor Saxophone, Piano, Bass, Drums – Unknown Artist Vocals [Duet] – Esther Crayton* 2:31 Companies, etc. Printed By – SIB-Tryck AB, Norsborg Credits Guitar, Vocals – Connie Curtis "Pee Wee" Crayton* Liner Notes – Dick Shurman, Esther Crayton*, Jim Dawson (4) Mastered By – Björn Almstedt, Bob Jones (6), Chris Strachwitz Producer – Jim Dawson (4), Jonas Bernholm Sleeve, Design – Lasse Ermalm Written-By – Esther Crayton* (tracks: B10), Pee Wee Crayton (tracks: A1 to A6, A8 to B8), T-Bone Walker (tracks: A7, B9) Notes Gatefold sleeve. A1, A6, A9, B2, B5, B8 are marked as instrumentals.

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.