ART PEPPER "Gettin' Together" LP NM/NM 1983 Reissue

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AllMusic Review by Scott Yanow

As a sort of follow-up to Art Pepper's matchup with Miles Davis' trio in the 1957 classic Art Pepper Meets the Rhythm Section, Pepper utilizes Davis' sidemen on this 1960 near-classic. In addition to pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb, trumpeter Conte Candoli makes the group a quintet on four of the eight numbers. This time around, rather than emphasizing standards, Pepper performs just three ("Softly, As in a Morning Sunrise," Thelonious Monk's "Rhythm-A-Ning," and "The Way You Look Tonight") and includes three originals of his own: "Diane," "Bijou the Poodle," and "Gettin' Together." The music is all very straight-ahead and bop-oriented, but as usual, Pepper brings something very personal and unique to his playing; he sounds like no one else. [Some reissues add "The Way You Look Tonight" (formerly only available on another LP) and an alternate take of the title cut to the original repertoire.

Art Pepper ‎– Gettin' Together!

Label:

Contemporary Records ‎– S7573

Format:

Vinyl, LP, Album, Stereo, Reissue

Country:

US

Released:

1983

Genre:

Jazz

Style:

Bop

TracklistHide Credits

A1Whims Of Chambers

Written-By – Paul Chambers (3)

6:56

A2Bijou The Poodle

Written-By – Art Pepper

5:48

A3Why Are We Afraid?

Written-By – André Previn, Dory Langdon

3:36

A4Softly, As In Morning Sunrise

Written-By – Oscar Hammerstein II, Sigmund Romberg

6:55

B1Rhythm-A-Ning

Written-By – Thelonious Monk

7:15

B2Diane

Written-By – Art Pepper

5:03

B3Gettin' Together

Written-By – Art Pepper

7:50

Companies, etc.

Recorded At – Contemporary's Studio

Designed At – Tri-Arts

Credits

Alto Saxophone – Art Pepper

Bass – Paul Chambers (3)

Design – Guidi*

Drums – Jimmy Cobb

Engineer – Howard Holzer, Roy DuNann

Liner Notes – Martin Williams (6)

Photography By – Roger Marshutz

Piano – Wynton Kelly

Producer – Lester Koenig

Tenor Saxophone – Art Pepper

Trumpet – Conte Candoli

Notes

Recorded February 29, 1960 at Contemporary Records' studio in Los Angeles.

Barcode and Other Identifiers

Matrix / Runout (Side 1): LKS-143-D8

Matrix / Runout (Side 2): LKS-144-D6

Other (Weight LP): 126 gr




GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.