Sold Date:
March 3, 2022
Start Date:
February 24, 2022
Final Price:
$71.00
(USD)
Bid Count:
3
Seller Feedback:
14991
Buyer Feedback:
334
Frederic Rzewski – Coming Together / Les Moutons De Panurge / Attica
Label:Opus One – Number 20
Format:
Vinyl, LP
Country:US
Released:1974
Genre:Classical
Style:Contemporary
AComing Together
Alto Saxophone – Jon Gibson (2)
Bass – Richard Youngstein
Engineer – Eddie Korvin
Lyrics By – Sam Melville
Piano, Electric Piano – Frederic Rzewski
Producer – Mike Sahl*
Synthesizer – Alvin Curran
Trombone – Garrett List
Vibraphone – Karl Berger
Viola – Joan Kalisch
Voice [Speaker] – Steve Ben Israel
B1Attica
Alto Saxophone – Jon Gibson (2)
Bass – Richard Youngstein
Engineer – Jan Rathbun
Lyrics By – Richard X. Clark
Piano – Frederic Rzewski
Piccolo Trumpet – Alvin Curran
Trombone – Garrett List
Vibraphone – Karl Berger
Viola – Joan Kalisch
Voice [Speaker] – Steve Ben Israel
B2Les Moutons De Panurge
Engineer – Steven Ovitsky
Percussion – Blackearth Percussion Group
Percussion [Almglocken] – Garry Kvistad
Percussion [Nabimba] – Richard Kvistad
Vibraphone, Glockenspiel – Christopher Braun
Xylophone – Anne Otte*
Recorded At – Blue Rock Studio
Recorded At – Northern Illinois University
Composed By, Liner Notes – Frederic Rzewski
A and B1 composed in 1972 and recorded April 20, 1973 at Blue Rock Studio in NYC.
B2 composed in 1969 and recorded at the University of Northern Illinois DeKalb, Illinois, May 10, 1973.
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.