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Hindsight Review by Scott Yanow
Ken McIntyre had not recorded as a leader in 11 years when he cut this quartet set for SteepleChase, but he was more than ready. The well-rounded program (which on the CD reissue includes a second version of "Body and Soul") features McIntyre on separate features for his alto, flute, bassoon, oboe, and bass clarinet. Although often compared to Eric Dolphy early in his career, McIntyre actually has a style of his own, open to the innovations of the avant-garde but not shy to embrace melodies. With the assistance of pianist Kenny Drew, bassist Bo Stief, and drummer Alex Riel, McIntyre is in consistently brilliant form, with the highlights being "Lush Life" (on bassoon), "Body and Soul" (taken on bass clarinet), and "Naima" (for his oboe) and a heated alto workout on "Sunnymoon for Two."
Ken McIntyre – Hindsight
Ken McIntyre - Hindsight album cover
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Label:SteepleChase – SCS-1014
Format:
Vinyl, LP, Album, Stereo
Country:Denmark
Released:1974
Genre:Jazz
Style:Free Jazz, Contemporary Jazz, Cool Jazz
A1Bootsie
Written-By – Ken McIntyre
7:04
A2Lush Life
Written-By – Billy Strayhorn
3:14
A3Mercedes
Written-By – Ken McIntyre
5:48
A4Body And Soul
Written-By – Johnny Green
9:05
B1Airebil
Written-By – Ken McIntyre
8:00
B2Naima
Written-By – John Coltrane
4:52
B3Round About Midnight
Written-By – Thelonious Monk
7:46
B4Sonnymoon For Two
Written-By – Sonny Rollins
4:40
Record Company – SteepleChase Records
Pressed By – Musikkindustri A/S
Recorded At – Rosenberg Studio
Lacquer Cut At – Rosenborg Studio
Alto Saxophone, Flute, Bassoon, Oboe, Bass Clarinet – Ken McIntyre
Bass – Bo Stief
Cover – Lissa Winther
Drums – Alex Riel
Lacquer Cut By – F*
Performer – Ken McIntyre Qartet*
Photography By – Jørgen Bo
Piano – Kenny Drew
Producer – Nils Winther
Recorded By – Freddy Hansson
Recorded in Rosenberg Studio in Copenhagen January 13, 1974.
Artist name on labels: Ken McIntyre Qartet
℗ 1974
Runouts are stamped.
Rights Society: NCB
Rights Society (Track A1, A3, B1): BMI
Matrix / Runout (Label side A): SCS-1014 - A
Matrix / Runout (Label side B): SCS-1014 - B
Matrix / Runout (Runout side A): SCS 1014 A 3 P74 F 710
Matrix / Runout (Runout side B): SCS 1014 B 3 P74 F 710
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.