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Sold Date:
February 25, 2025
Start Date:
August 25, 2024
Final Price:
$16.01
(USD)
Seller Feedback:
2946
Buyer Feedback:
0
This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.
Chuck Strangers - A Forsaken Lover's Plea - Bottle Green [Used Vinyl LP] Explici
Artist: Chuck Strangers
Title: A Forsaken Lover's Plea - Bottle Green
Note: Possible storage or shelf wear. Used and opened item, sleave may have some damage, disc may be scratched but is playable. Digital download codes not included.
Format: Vinyl LP
Genre: Rap/Hip Hop
UPC: 5060121300019
Release Date: 2024
Record Label: Lex Records
Album Tracks
1. Richard Pryor (Intro)
2. Dead Vines
3. Close Calls
4. Sermonette
5. Ski'd Up
6. Too Afraid to Dance (Feat. Remy Banks)
7. A Forsaken Lover's Plea
8. Sunset Park
9. Polish Jazz (Feat. Joey Bada$$)
10. Feelings
11. Crusaders (Interlude)
12. To All the Girls (Paid Programming)
13. Home
14. Ali's Roti Shop
15. Grasp (Feat. Obii Say)
16. Some Flatbush... (Feat. Erick the Architect)
17. Count on My Love
Green Vinyl. "... too G to take a knee, still I gave you all of me." A pivotal force in the early '10s NYC rap revival, now LA-based rapper and producer Chuck Strangers steps into the limelight on new solo LP A Forsaken Lover's Plea. The album sounds markedly lush, candid rhymes bolstered by a slew of guest producers-including The Alchemist, Animoss and Strangers himself. Chuck's own production feels current without ditching it's previous homeliness, a seamless compliment to his honest, lived-in raps. A collection of fellow New York rap torchbearers lace the album with guest verses, including Pro Era comrade Joey Bada$$ & Flatbush Zombies' Erick the Architect. Strangers' tangled romance with hip-hop is the crux of the project-the culmination of a decade's unwavering dedication to his craft, with it's lofty highs, inevitable lows, and lessons of humility and patience. Mixed by Trevor Wright Mastered by Zeroh Art direction & design by Commission Studio Photography by Jack McKain
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