JIMI HENDRIX EXPERIENCE '68 "Electric Ladyland" Polydor #2679-029 Dutch Stereo
Sold Date:
March 5, 2015
Start Date:
February 26, 2015
Final Price:
$51.00
(USD)
Bid Count:
10
Seller Feedback:
2444
Buyer Feedback:
27
THE JIMI HENDRIX EXPERIENCE: 1968 Dutch 2-LP Set
*RARE! (Uncensored) "Electric Ladyland" Vinyl Record Album
Classic Vintage Quality 60's Psychedelic/Blues Rock. Made in Holland.
Original/1st Pressing. Polydor Records. Stereo #2679 029.
OVERALL CONDITION: VG++ to EX-
Two Discs: EX- to NM
Cover: VG- to VG
_________________________________
– Electric Ladyland
Genre:
,
Style:
,
Year:
Notes:
This 3rd and final album by "The Jimi Hendrix Experience" was first
released in September 1968 in the USA on 'Reprise Records' and October
1968 on 'Track Record' in the UK. The US issue, mastered by Reprise, has
the Warner7Arts/Reprise roundel logo & 'Stereo' on the cover. The
'red/yellow' cover image of Hendrix is a photo by Karl Ferris,
subsequently adopted as an 'official cover image' since the acquisition
of the catalog by the Hendrix Family Trust. The logo was removed on
later releases and the label went through visual changes during the
emergence of 'Warner Bros.' and the Kinney National deals. The early US
mastering does not capture the same 'hi-fidelity' qualities found on the
UK issue. When 'remastering' is referred to on any subsequent issues
the source is worth noting.
The UK issue was mastered, produced & distributed for Track by
Polydor, who subsequently branded the UK release after the demise of
Track. Polydor, having it's roots in Germany, was used for roll-outs in
the European market. Buyers and sellers should both be aware of the key
differences which help identify early Track Record releases. All early
UK (and some Euro) issues are auto-coupled, as Disc 1;Sides A/D &
Disc 2;Sides B/C. On a few later vinyl & CDs this has resulted in
the track order being wrongly presented, with A/D as A/B & B/C as
C/D. (The quickest check for correct track-order is "Little Miss
Strange" follows "Voodoo Chile"). The next check is the gatefold cover,
'hi-gloss' laminated inside & out, designed by David King. It is a
one-piece front/back spread, with 'naked ladies' photo by David
Montgomery, glued to a one-piece left/right inside spread. The
lamination on Track issues is poor, leaving exposed print on the two
opening edges and around all four edges of the inside spread. Bubbling,
creasing & de-lamination also occurred and 'perfection' is an
unlikely find - until the improved process on Polydor issues. The next
and most important factor of the Track covers is the inside spread and
its relationship to vinyl content.
First press Track issues have all-blue text in two versions. The
Hendrix picture is either on the right when opened (most common), or on
the left (rare). This is a result of the spread being rotated in
production. This can go unnoticed, as the spread is viewed vertically
for it to be read, rather than horizontally. First press Track issues
can also have the same layout, Hendrix on right, but with a blue track
list & white logo as a third version. On all three versions the 2
sepia images of Redding & Mitchell, by Donald Silverstein, are
large, with the print credit grouped to the left. There is then a fourth
Track version, with all white text and the print credit centered. On
this the 2 sepia images are significantly reduced in size, surrounded by
the black background. A fifth version is the same layout as the fourth,
but the Track logo is replaced by the Polydor logo. This is the most
common release.
The first 3 cover versions have 'greener' flesh tones on the cover
girls than the 'warmer' later releases. These 3, with blue text content,
were all effected prior to and during release. The fourth version after
release date. The vinyl within has the significant 'hand-etched'
changes to the wax matrix stamped ID that denotes first press. Disc 1
label is cat#613008, suffixed by A&B on sides marked A&D. Disc 2
label is cat#613009, suffixed by A&B on sides marked B&C. These
suffixed cats are in parenthesis, inverted above the unsuffixed cat#.
This cataloging decision to auto-couple resulted in the wax changes to
the '8' & '9' and 'sides' order. The 'hi-dynamic' of the mix was
found to cause needles to 'jump' on less expensive phonographs of the
time. In simple terms, Polydor repressed a 'lower mix' for the Track
releases, followed by a third press on Track and then into the Polydor
issues. There is a subtle label change between 1st & 2nd press, both
having inverted catalog data. 'Side A' 1st press has "Electric
Ladyland" overlapping the center indent and there is a small gap between
the words "Jimi Hendrix" & "A.Schroeder Music". 'Side A' 2nd press
has "Electric Ladyland" clear of the indent. The unit of text has moved
down, so that "Jimi Hendrix" is closer to "A.Schroeder Music"- which is
now closer to the "Made in Britain" at the foot of the label. The final
assurance of the earliest pressing is the white poly-lined inner sleeves
with punched label holes, bearing the blue imprint "Made in England
108" in the bottom-right corner. The later pressings in the later covers
do not have inverted cat# over the 613008 or 613009 and Track labels
also have "Two Record Set (Set. No. 2657-001)". Later liners are printed
"Made in England 1170".
Radical at the time, the UK cover caused controversy, with some
outlets refusing to display it. Often, it was sold 'brown bagged', like
Lennon's "Two Virgins" album of the same period. Hendrix wanted all
issues to have the David Sygall & Linda Eastman (McCartney) images
used for the cover. These photos, of the band & children posed on an
Alice in Wonderland sculpture in Central Park, can be seen on the US
inner and in the MCA CD booklet. Both Reprise and Track ignored the
designs he sketched out. Initial work on tracks was begun by the band in
January 1968, with manager and producer Chas Chandler at Olympic
Studios, London, the 'residency' of engineering brothers Glyn & Andy
Johns and staff engineer Eddie Kramer. It was here that Hendrix began
to explore the production of his 'progressive' sound and the feasibility
of creating tracks that went beyond the current concept of 'pop singles
material'. He began to experiment with repeated takes and effects, with
Chandler producing and Kramer engineering. Mixes from these sessions
then became a new starting point for Hendrix when Chandler and the band
entered Gary Kellgren & Chris Stone's newly-opened Record Plant
Studios in New York in April & then June 1968 after a period of
touring. During the months of recording Hendrix became somewhat fixated
in achieving on tape exactly what was in his head, overdubbing, erasing
and moving from 4 to 12 & 16-track layering - plus inviting in
musicians he had been jamming with at clubs like The Scene. This drove
the commercially-minded Chandler to financial distraction. He quit early
in the proceedings, selling his shares and leaving Hendrix to complete
production. Michael Jeffery became the manager. Kramer, the most
prevalent engineer in the recordings, had been called in from the UK and
joined forces with Kellgren. Hendrix also dubbed many of the bass parts
in Redding's absence. This and many other factors no doubt prevailed in
this finalé album of the "Jimi Hendrix Experience".
A short-lived 'Electric Jim Hendix' was produced with 9 tracks,
available by mail-order to Polydor Club members in 1971. Some 200 copies
of this "Electric Jimi Hendrix" album (Cat#2856 002) on the Track label
were in circulation before it was withdrawn. The double album was later
released as two single LP's under the same title, suffixed "Part 1"
& "Part 2".
Tracklist
And The Gods Made Love
Have You Ever Been (To Electric Ladyland)
Cross Town Traffic
Voodoo Chile
Little Miss Strange
Long Hot Summer Night
Come On
Gypsy Eyes
The Burning Of The Midnight Lamp
Rainy Day, Dream Away
1983... (A Merman I Should Turn To Be)
Moon, Turn The Tides... Gently, Gently Away
Still Raining, Still Dreaming
House Burning Down
All Along The Watchtower
Voodoo Chile (Slight Return)
Domestic/U.S.A. Shipping Rates
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Please use the following shipping formulas:
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45 Only Shipments: $3.98 for the 1st 45 $.48
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78 Only Shipments: calculated.
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45 Only Shipments: $7.98 for the 1st 45
$.98 for each additional 45.
78 Only Shipments: calculated.
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IMPORTANT: PLEASE READ
I’ve been collecting high-quality vinyl records and music memorabilia
for more than 40 years. The majority of these comprise beautiful,
treasured and professionally cared-for gems have always been stored in a
humidity-controlled, tobacco-free environment.
Approximately 10 years ago, I liquidated many valuable items from my
private collection on eBay. There were Beatles autographs and rare original
posters, along with some very collectible 45’s and LP’s. If you were fortunate
enough to have acquired a few of those pieces at that time, then you’ve come to
realize - at the very minimum - quadrupling-plus profits on your investments.
I’ve now decided to sell the balance of my personal collection and will
be disposing of the entire contents from my home and storage facilities. Most
of the items will be in excellent to
near-mint condition. Some will
be absolutely perfect/pristine. Merchandise will be sold as I locate
it. These will not be genre categorized or posted alphabetically as before, but
sold as per discovered inside boxes and located on shelves. I have much to go
through! The auction will last until every last piece is sold.
***PLEASE KEEP THE FOLLOWING IN MIND: There will be many, still originally sealed, and intact shrink-wrapped records
offered here, along with super-rare, one-of-a-kind Autographed album sleeves.
I consider many of these to be priceless, since several of the famous signers
are no longer living. If you are interested at all, I’d suggest that you snatch
these up ASAP.
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ACTUAL CONDITION: I won’t clean the
records. I’ll leave that up to you. Cleaning the vinyl makes it look better
than it really happens to be. I never play-grade an item. The vinyls/jackets
are only checked visually in a very bright light. I do my very best to
describe the merchandise exactly as possible and ship as they are. I grade conservatively! If I've missed something or you disagree with my evaluation, please contact me A. S. A. P.
I never use Stock Photos. I take the photos
of the real item myself with my camera. Any bright spots on the pictures are
from a flash. What you see is the actual item being sold.
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BIDDING: *No international/foreign buyers are allowed during this
final liquidation. Furthermore, this will be a domestic-only sale (within the
borders of these contiguous United States; None to Alaska or Hawaii).
Please let me know if you will be bidding on multiple items to save on
the combined shipping fee. If
you have any questions or need more information on an item, please feel free to
contact me. I will provided additional
detailed digital images, if needed.
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PAYMENT: I only accept payment through PayPal and any transactions must be
completed within five days. I pack the records very carefully to ensure
safe arrival. I usually ship within one to three days of auction-ending date.
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type, please let me know. Costs are $4.98 for one, 12-inch long-playing record and
$0.98 for each additional LP, and NOT
$4.00. Shipping cost for one, 7-inch record is
$3.98, and each additional disc is $0.48. *All shipments guaranteed and include
free Delivery Confirmation Tracking. Boxed sets and EP's will be weighed and
quoted at auction ending.
*IMPORTANT MESSAGE FOR WINNING BIDDERS-
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