Sold Date:
November 7, 2021
Start Date:
November 5, 2021
Final Price:
$29.99
(USD)
Seller Feedback:
8551
Buyer Feedback:
0
Shipping: All items will be packed safely in a sturdy package for safe shipping.
We ship internationally and offer combined shipping for multiple purchases.
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Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high and for INTERNATIONAL BUYERS: In Cart click REQUEST TOTAL, and I will send you an invoice. Lower priced options available for International Shipping.
A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records
famous Blues Singer BESSIE SMITH in one of her EARLY COLUMBIA RECORDINGS
Bessie Smith – Empty Bed Blues
Label: Columbia – 35675
A Empty Bed Blues - Part 1
B Empty Bed Blues - Part 2
Piano [Uncredited] – Porter Grainger
Trombone [Uncredited] – Charlie Green
Vocals – Bessie Smith
Written-By – Johnson*
Notes
Recorded March 20, 1928, New York.
Please see top of the page for condition
Bessie Smith was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. Bessie started out as a street musician in Chattanooga. In 1912 Bessie joined a traveling show as a dancer and singer. The show featured Pa and Ma Rainey, and Smith developed a friendship with Ma. Ma Rainey was Bessie's mentor and she stayed with her show until 1915. Bessie then joined the T.O.B.A. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. By the early 1920s she was one of the most popular Blues singers in vaudeville. In 1923 she made her recording debut on Columbia, accompanied by pianist Clarence Williams. They recorded "Gulf Coast Blues" and "Down Hearted Blues." The record sold more than 750,000 copies that same year, rivaling the success of Blues singer Mamie Smith (no relation). Throughout the 1920s Smith recorded with many of the great Jazz musicians of that era, including Fletcher Henderson, James P. Johnson, Coleman Hawkins, Don Redman and Louis Armstrong. Her rendition of "St. Louis Blues" with Armstrong is considered by most critics to be one of finest recordings of the 1920s. Bessie Smith was one of the biggest African-American stars of the 1920s and was popular with both Whites and African-Americans, but by 1931 the Classic Blues style of Bessie Smith was out of style and the Depression, radio, and sound movies had all damaged the record companies' ability to sell records so Columbia dropped Smith from its roster. In 1933 she recorded for the last time under the direction of John Hammond for Okeh. The session was released under the name of Bessie Smith accompanied by Buck and his Band. Despite having no record company Smith was still very popular in the South and continued to draw large crowds, although the money was not nearly as good as it had been in the 1920s. Bessie had started to style herself as a Swing musician and was on the verge of a comeback when her life was tragically cut short by an automobile accident in 1937. While driving with her lover Richard Morgan (Lionel Hampton's uncle) in Mississippi their car rear-ended a slow moving truck and rolled over crushing Smith's left arm and ribs. Smith bled to death by the time she reached the hospital. John Hammond caused quite a stir by writing an article in Downbeat magazine suggesting that Smith had bled to death because she had been taken to a White hospital and had been turned away. This proved not to be true, but the rumor persists to this day.
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A Quick NOTE ON GRADING AND SHIPPING:
As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.
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Quick note on grading:
The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately
When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
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US Domestic Shipping:
Here is a guideline for US Media Mail Shipping:
Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)
1 record: 4.99 – 5.85$
2 records: 6.95$
5 records: 8.50$
10 records: 12.00$
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