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WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

 

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·       INCREDIBLY RARE, PROBABLY ONE-OF-A-KIND TEST PRESSING COMBINING TWO DIFFERENT RELEASES FROM THE ATLANTIC FAMILY OF LABELS: COTILLION RELEASE ON ONE SIDE; ATCO RELEASE ON THE OTHER (ONE PARTIAL RELEASE PER SIDE) ; PLEASE NOTE THAT THE WOODSTOCK SIDE IS IN STEREO; THE CACTUS SIDE IS A TEST PRESSING OF THE PROMO-ONLY MONO MIX OF THE ALBUM.

 

·       SIDE 1: VARIOUS ARTISTS - WOODSTOCK FESTIVAL 1  - THE MUSIC FROM THE ORIGINAL SOUNDTRACK - ORIGINAL  1971 COTILLION RECORDS 3-LP SET - COTILLION RECORDS STEREO LP SET SD-3-500 (SIDE 4 WITH JEFFERSON AIRPLANE AND SLY & THE FAMILY STONE ONLY!)

 

 

 - AND -

 

 

·       SIDE 2: CACTUS - THE SAME-TITLED FIRST ALBUM ("CACTUS") - ORIGINAL 1970 ATCO RECORDS PROMO-ONLY  MONO LP 33-340 *** ULTRA- RARE PROMOTIONAL-ONLY MONO MIX; MONO VERSION OF THIS ALBUM WAS NEVER COMMERCIALLY RELEASED IN ANY WAY OR FORM ***

 

·       ORIGINAL U.S. PRESSING

 

 

·       *** INSANELY RARE TEST PRESSING ***

 

 

·       PLAIN, GENERIC TEST PRESSING LABEL

 

·       The record has a Dennis King initials (DK) clearly stamped or hand-etched in the trail-off vinyl (dead wax) [ON CACTUS SIDE ONLY]

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       THICK, HEAVY VINYL PRESSING

 

·       CLEAN, WEAR-FREE LABELS

 

·       MONO version of the Cactus album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

·       PLEASE NOTE: THE MATRICES IN THE TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD IS CONSISTENT WITH THE ORIGINAL, FIRST, 1970 PRESSINGS OF THESE TWO RELEASES; THIS IS NOT, REPEAT: NOT A TEST PRESSING OF ONE OF THE SUBSEQUENT REISSUES

 

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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Woodstock One: It's almost impossible to regard the soundtrack albums for the Michael Wadleigh documentary Woodstock, simply as music, apart from the event that inspired them or what that event has come to represent. Music from the Original Soundtrack and More: Woodstock was originally released by Atlantic's Cotillion imprint as a three-LP set in a gatefold sleeve. It topped the Billboard Charts for four weeks and sold two million copies. It sold so well that Cotillion issued a sequel double album of more music from the festival that never appeared in the film. The LPs took the music out of the historical sequence of the festival and re-ordered (and edited) it for a sense of flow. Whether or not it accomplished its objective has been the subject of much debate and beyond this review's scope. What is relevant is that these performances signified via their spotty recording quality -- and sometimes dodgy performances -- that there was an amazing array of legendary talent on hand at Woodstock; though not all of it is captured here. Musically, the second LPc sounds the least dated with its over the top performances by a shockingly great Santana with "Soul Sacrifice," Ten Years After's guitar workout on "I'm Goin' Home," Jimi Hendrix's "Star Spangled Banner" medley (still a stunner after all these decades); the Jefferson Airplane's rocking and raucous version of "Volunteers," and the orgiastic Sly & the Family Stone medley that includes "Dance to the Music," "Music Lover," and an insanely great "I Want to Take You Higher." There is some filler as well thanks to a drippy John Sebastian track called "Rainbows All Over Your Blues," and an indulgent "Love March" by an out-of-their-prime Butterfield Blues Band.

 

First LP is more complex. There are some fine moments here, especially the CS&N and CSN&Y tunes, including "Suite: Judy Blue Eyes" (perhaps not perfect in voice but a very inspired performance), and "Wooden Ships," with a decent if not thrilling "Sea of Madness," in between. There is a desultory "We're Not Gonna Take It" from the Who that is out of context, given they performed the entirety of Tommy. While Canned Heat's "Goin' Up the Country" has aged well, Country Joe & the Fish's "The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-To-Die Rag" has not, nor has Joan Baez's performance of "Drug Store Truck Drivin' Man." Her version of "Joe Hill" is generic. Richie Havens' "Freedom" is still thrilling, especially since it is preceded by Sebastian opening the entire set up with another duller-than-dull "I Had a Dream." The "Summer of Love" had been over for two years by the time Woodstock took place, and riots in Watts, Detroit, Newark, and other places had occurred, as well as an escalation in the Vietnam War. The most out of place thing here is Sha Na Na's "At the Hop," which sounds surreal but ragged and right, and Joe Cocker's "With a Little Help from My Friends," that closes disc one; it's electrifying if rather out of tune. So as it stands, Woodstock is a wildly mixed bag, and not particularly pleasant to listen to, but it does indeed have a significant place in the rock pantheon and should be regarded more as an artifact than as an album in its own right.

 

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565.

 

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Cactus may have never amounted to anything more than a half-hearted, last-minute improvised supergroup, but that don't mean their eponymous 1970 debut didn't rock like a mofo. The already quasi-legendary Vanilla Fudge rhythm section of Bogert and Appice may have provided the backbone of the band's business cards, and soulful, ex-Amboy Duke Rusty Day brought the voice, but it was arguably former Detroit Wheels guitarist Jim McCarty who was the true star in the Cactus galaxy, spraying notes and shredding solos all over album highlights such as "You Can't Judge a Book By the Cover," "Let Me Swim," and, most notably, a manic, turbocharged version of "Parchman Farm." The fact that Cactus chose to tackle this classic blues song just a year after it'd been blasted into the fuzz-distortion stratosphere by Blue Cheer betrays -- at best -- a healthy competitive spirit within the early-'70s hard rock milieu, and at worst it suggests something of a mercenary nature to Cactus' motives, but that's an issue for the surviving bandmembers to duke it out over in the retirement home. And we digress -- for the blistering closing duo of "Oleo" and "Feel So Good" (complete with bass and drum solo slots) easily certifies the Cactus LP as one of the best hard rock albums of the then brand-new decade, bar none. Too bad the illustrious members of Cactus would quickly lose interest in this band project and deliver increasingly mediocre efforts in the years that followed.

 

 (EXCERPT FROM AN ONLINE REVIEW BY EDUARDO RIVADAVIA, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

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·       CONDITION:

 

·       THE RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new [NOTE: The Woodstock side has a side-long superficial, shallow scuff which is only a visual distraction and does not affect playing].

 

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           Promo-only MONO pressing of the Cactus title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 150:1.

 

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

COVER : This reference pressing comes without any custom jacket, and will be shipped in its original plain, generic, white cardboard cover (NOT GRADED SEPARATELY, BUT IN A NICE CONDITION OVERALL)

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail OR International Express mail when making a payment.

 

INTERNATIONAL POSTAGE rates vary from one region of  the world to another. For SPECIFIC international and domestic postage rates ►. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►  for the full text of our policy

 

 

FINE (BUT IMPORTANT!) PRINT

 

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

 

 

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