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WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

 

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·       BOB DYLAN - SELF TITLED FIRST ALBUM (“BOB DYLAN”)  – INSANELY RARE ORIGINAL 1962 COLUMBIA STEREO LP CS-8579

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL, FIRST PRESSING ON RED & BLACK COLUMBIA "SIX EYE” LABEL

 

·       EXTREMELY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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By know you know that the first pressing of Bob Dylan's first album on the impossible "six eye" label is near-impossible to find: it can easily fetch upward of $2,000.00 on the open market. And here’s why it is so rare:

 

About fifteen years ago, we met at one of the local record shows in New York City a gentleman named Marc (we did not remember his last name). At the time Dylan’s first record was released, he was about 18 and – at least so he claimed – he was working as a bike messenger for Columbia Records headquarters in NY City and had personally hand-delivered a production order signed by John Hammond, Sr.  for 500 stereo and 3000 mono copies of this album. We do not have any means of independently verifying this information, but judging by the colossal rarity of this album, we find the story altogether credible.

 

And those 500 stereo "six eye" labeled copies – that was it, folks.  There would be no more. No additional press runs on this particular label was ever ordered. Columbia would soon phase out the “six-eye” label altogether and introduce the new, black and red “360 stereo label”, and so all subsequent pressings of this album (as well as the first  pressings of the next four Dylan albums) would appear on this, new Columbia label.

 

We would be willing to bet big money that, out of those 500 copies initially produced, less than 200 survive worldwide and that, out of those 200, probably less than 100 copies can be accounted for.  Of those 100, probably less than 70 copies are in playable condition.. This is one of those monumentally rare pieces. A cornerstone – if not the proverbial Holy Grail – for any Dylan collector.

 

Now for the music: this truly IS a piece of history: this is an album that announced Bob Dylan’s arrival to the unsuspecting world; the work that started the entire Dylan cult, which would follow merely a year or so later, on the heels of his next album (“Freewheelin’ Bob Dylan”). Capably produced by the legendary John Hammond, Sr. (who, among others, discovered such stars as Billie Holiday, Robert Johnson, Aretha Franklin and Bruce Springsteen and was the father-in-law of Benny Goodman and the father of John Hammond, jr (you figured as much, didn’t ya?) , the album shows Bob Dylan's deep and genuine love for all forms of archetypal musical Americana, particularly traditionals, spirituals, folk, blues and work song, but also his evolving, maturing ability as a songwriter.

 

Track listing: You're no good -Talkin' New York - In my time of dying - Man of constant sorrow - Fixin' to die - Pretty Peggy-O - Highway 51 - Gospel Plow - Baby, let me follow you down - House of the risin' sun - Freight Train Blues - Song to Woody - See that my grave is kept clean.

 

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Bob Dylan's first album is a lot like the debut albums by the Beatles and the Rolling Stones -- a sterling effort, outclassing most, if not all, of what came before it in the genre, but similarly eclipsed by the artist's own subsequent efforts. The difference was that not very many people heard Bob Dylan on its original release (originals on the early-'60s Columbia label are choice collectibles) because it was recorded with a much smaller audience and musical arena in mind. At the time of Bob Dylan's release, the folk revival was rolling, and interpretation was considered more important than original composition by most of that audience. A significant portion of the record is possessed by the style and spirit of Woody Guthrie, whose influence as a singer and guitarist hovers over "Man of Constant Sorrow" and "Pretty Peggy-O," as well as the two originals here, the savagely witty "Talkin' New York" and the poignant "Song to Woody"; and it's also hard to believe that he wasn't aware of Jimmie Rodgers and Roy Acuff when he cut "Freight Train Blues." But on other songs, one can also hear the influences of Bukka White, Blind Lemon Jefferson, Blind Willie Johnson, and Furry Lewis, in the playing and singing, and this is where Dylan departed significantly from most of his contemporaries. Other white folksingers of the era, including his older contemporaries Eric Von Schmidt and Dave Van Ronk, had incorporated blues in their work, but Dylan's presentation was more in your face, resembling in some respects (albeit in a more self-conscious way) the work of John Hammond, Jr., the son of the man who signed Dylan to Columbia Records and produced this album, who was just starting out in his own career at the time this record was made. There's a punk-like aggressiveness to the singing and playing here. His raspy-voiced delivery and guitar style were modeled largely on Guthrie's classic '40s and early-'50s recordings, but the assertiveness of the bluesmen he admires also comes out, making this one of the most powerful records to come out of the folk revival of which it was a part. Within a year of its release, Dylan, initially in tandem with young folk/protest singers like Peter, Paul & Mary and Phil Ochs, would alter the boundaries of that revival beyond recognition, but this album marked the pinnacle of that earlier phase, before it was overshadowed by this artist's more ambitious subsequent work. In that regard, the two original songs here serve as the bridge between Dylan's stylistic roots, as delineated on this album, and the more powerful and daringly original work that followed. One myth surrounding this album should also be dispelled here -- his version of "House of the Rising Sun" here is worthwhile, but the version that was the inspiration for the Animals' recording was the one by Josh White.

 

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► 

 

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·                               CONDITION:

 

·                               RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG NEAR MINT (LOOKS UNPLAYED). The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(a)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(b)          Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 6:1.

 

(c)             The record comes in the original stock inner sleeve.

 

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       THE COVER

 

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

 

The following flaws or imperfections are noted on the cover:

 

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

 

 

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail OR International Express mail when making a payment.

 

INTERNATIONAL POSTAGE rates vary from one region of  the world to another. For SPECIFIC international and domestic postage rates ►. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►  for the full text of our policy

 

 

FINE (BUT IMPORTANT!) PRINT

 

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

 

 

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