Sold Date: October 30, 2024
Start Date: October 23, 2024
Final Price: $170.99 (USD)
Bid Count: 2
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Rare LP/VINYL/ALBUM from 1968--Only 500 copies were pressed.
This is a rare collector's items for any Vinyl Collector, Rock Music Fan, Music History Buffs, and more!  The album features folk rock and 1960s music, with a total of 12 tracks. The record label is Webster's Last Word, and the album comes with its original cover. Recorded live at Golden Voice Sound Studios South Pekin, Illinois. This LP is a true gem for collectors and music enthusiasts alike, and it is a must-have for any Chuck & Mary Perrin fan. Don't miss your chance to own a piece of music history!
This highly sought-after vinyl LP album by Chuck & Mary Perrin, released in 1968 is a first edition and first pressing, with a record grading of very good (VG) and a sleeve grading of very good (VG). Both the Album Cover and Record itself are in good condition with only minor wear/impurities since it's almost 60 years old. There is a noticeable (but cannot be felt to the touch and is not impactful to the quality of the record itself) smudge and Scratch on Side 1 of the Record--which I have included for full transparency of its condition.

Album Details

Label: Webster's Last Word – WLW S-2101

Format: Vinyl, LP, Album

Country: US

Released: 1968, Limited Release, Only 500 Copies Pressed

Genre: Rock, Folk, World, & Country

Style: Folk Rock, Acoustic

Track List

A1: Commencement - 3:27

A2: Violets Of Dawn - 2:56

A3: Mornings - 3:23

A4: You Knew All Along - 3:09

A5: Don't Know Why I Love You Like I Do - 1:55

B1: Song For Canada - 4:10

B2: Babe Can You See - 2:30

B3: Circus Of Sour - 2:40

B4: Younger Generation - 2:45

B5: To A Better Life - 2:30

Album Backstory from Chuck Perrin:

Mary & I had made our trip to Nashville to  record a couple of songs @ the RCA Studios.  We’d also recorded some  acetate demos when the Shaggs recorded in Elkhart, Indiana.  But we  finally decided to take the proverbial bull by its horns & record  & release an album on our own.  This wasn’t as commonplace a task as  it is today.  Pressing plants were not set up to deal with small  companies & small runs.  On Saturday December 14, 1968 we spent  about 6 hours at Jerry Milam‘s Golden Voice Sound Studio – a  cement block structure located in the middle of a corn field in South  Pekin, Illinois – recording our first album, live & direct to tape.  Jerry was a well-respected audio expert, & had connections with  various pressing facilities. We enlisted the help of a young musician  friend from Websters, Chris White, who played bass &  occasional guitar.  We taught Chris the bass parts & then just  recorded each song in a take or two.  I designed the foldout album cover  & sent it down to RCA’s plant in So. Illinois to be pressed. Front  & inside photos were taken one perfect cloudy day in Detweiler Park,  Peoria Illinois by Gene Conley.  Bill Banks took the effervescent back photo.