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Sold Date:
October 23, 2014
Start Date:
September 23, 2014
Final Price:
£16.99
(GBP)
Seller Feedback:
1212
Buyer Feedback:
0
This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.
1. The Wagon 2. Puke & Cry 3. Blowing It 4. I Live For That 5. Flying Cloud 6. How’d You Pin That One On Me
7. Water 8. Muck 9. Thumb 10. Green Mind
Pressed on 180g vinyl and remastered Green Mind is the fourth studio album by alternative rock band Dinosaur Jr. Originally released in 1991, it was the band’s first release after bassist Lou Barlow’s departure, as well as the first released by a major label.
The classic cover photograph, Priscilla, 1969, is by Joseph Szabo and taken from his book of photographs Almost Grown. The track “Turnip Farm” is also featured in the film Reality Bites.
The record is close to being a J Mascis solo album, with drummer Murph only featuring on three tracks and various guests here and there, a great album, recorded and performed with gusto. Such a judgment may seem strange given Mascis’ legendary image as the überslacker, but clearly the man knows how to balance how to convey himself with getting the job done.
“The Wagon” itself kicks off the album, an even quicker and nuttier sequel to the peerless “Freak Scene” -- Don Fleming of Gumball fame adds some of the music and background vocals, but otherwise it’s Mascis and Murph cranking it and having a blast. When Mascis goes into one of his patented over-the-top solos, it all feels just right -- this is loud rock music for putting a smile on your face, not beating up people in a pit.
The remainder of the album floats and rumbles along in its uniquely Dinosaur Jr. type of way, as apt to find poppy hooks, singalongs, and soft strumming as it is to blow out the Marshalls. Sublime moments include the contrast of sweet acoustic guitar and loud drums on “Blow- ing It,” the fun thrash of “How’d You Pin That One on Me,” and the Mellotron-as-flute-tinged stomp “Thumb.”
If nothing on the album is completely as freaked-out and over the top as “Don’t” from Bug, it’s still a fine translation of Mascis’ art for the commercial big boys. The song titles alone sometime say it all -- “Puke + Cry,” “I Live for That Look,” “Muck.” Mascis throughout sounds like his usual self, cracked drawl ever as it was and shall be.