BID WITH TOTAL CONFIDENCE . YOUR SATISFACTION IS GUARANTEED: COMPLETE MONEY BACK GUARANTEE IF NOT TOTALLY SATISFIED

SERVICE YOU CAN TRUST, QUALITY ASSURED. WE HAVE A 100% POSITIVE FEEDBACK RATING AND A 100% TRACK RECORD OF OFFERING GREAT PRODUCTS, SERVICE, COMMUNICATION AND DELIVERY – GUARANTEED!!

BLACK SABBATH - VOLUME IV
1st Ever UK pressing of BLACK SABBATH VOLUME IV, on the VERTIGO labels with  CLEAR AUDIO and Superb Cover, BOOKLET and ORIGINAL Inner. This is a great opportunity to own a classic rare piece of musical history.

All COMPLETELY original, making this a true collectors item. From my own personal collection. 

CAT NO:....

6360 071  

LABEL PRESS DETAILS:

FIRST PRESS UK Black and white VERTIGO label with full size Vertigo swirl on side B.

MATRIX NOs. ON RUN-OUT GROOVE

SIDE A - 6360071 - 1 Y  // 1      

SIDE B - 6360071 - 2 Y  // 1     

 

MOTHER STAMPERS:

Side 1. '' 1 2 1 8   ''   (rare low stampers )  with PORKY hand scribed 

Side 2. '' 1 1 2 "      with PECKO hand scribed 

TRACK LISTING… 

Wheels Of Confusion . Tomorrow's Dream . Changes . FX . Supernaut 

Snowblind . Cornucopia . Laguna Sunrise . St. Vitus Dance . Under The Sun

THIS IS A GENUINE RARE UK ORIGINAL, AND IS A GREAT OPPORTUNITY TO BUY AN EXTREMELY RARE EXAMPLE OF ONE OF THE MOST HIGHLY COLLECTIBLE VINYL ALBUMS, with GREAT AUDIO!

Black Sabbath Vol. 4 is the fourth album by Black Sabbath, released in September 1972. The album was originally to be titled Snowblind, after one of several songs referring to cocaine use, and features several Sabbath classics, such as "Wheels Of Confusion", "Tomorrow's Dream", "Supernaut", "Snowblind" and "Under The Sun".

In June 1972, Black Sabbath reconvened in Los Angeles, California to begin work on their fourth album at the Record Plant Studios. The recording process was plagued with problems, many due to substance abuse issues. While struggling to record the song "Cornucopia" after "sitting in the middle of the room, just doing drugs", Bill Ward feared that he was about to be fired from the band. 

Vol. 4 demonstrates Black Sabbath beginning to experiment with the heavy sound they had become known for. Although some songs are in their trademark style, others demonstrate a more complex, orchestral approach. This is exemplified by the song "Changes". Written by Tony Iommi, it is entirely in the form of a piano ballad with mellotron. Although the band had used piano on some songs previously, it had played only a minor role in the songs.

ALBUM PLAYED FOR GRADING:

It is incredibly hard to find original pressings of VOLUME IV with this type of audio. So many vinyls, even visually clean examples, can play with distortion and repetitive clicks. For such a raucous album that is not surprising, but the mastering also meant that these vinyls were prone to dust penetration and surface noise, and there are a lot of quiet areas that can just sound terrible on worn copies. 

To give an example of how unusual this pressing is, there is a faint vocal echo on Ozzy's voice on the quiet 'Changes' track. Not the echo on the primary vocal, but a very faint second vocal. This can usually never be heard, it is so faint and the slightest vinyl wear will cover it up. On this pressing the vocal definition is really clear.

This is a great AUDIO 1st press example, with strong, undistorted sound, and little static or surface sound, the channels are clean and unstressed. The music jumps out with definition and clarity, particularly on the percussion instruments, and vocals which come through with tremendous power. All the instruments and every breath of Ozzy's singing is bright and clear. As is the bass and drums, whilst the guitars come through crisp and precise. I will give a detailed account below:

Even for Black Sabbath Volume IV is a complex and varied collection of music, and hard to find in clear audio condition. Worn copies can have a lot of surface sound even on musically complex and busy tracks like 'Supernaut.' This pressing has strong undistorted audio, with super clear, strong sound. NO interference, and NO loud pops or clicks or distortion. Any static is low level, it really sounds great and plays with great sound separation and clarity!

The album starts with a few seconds of ultra faint music, that is usually inaudible. Here it is very faint and very clear as its supposed to be in the 1st recording mix. 'Wheels of Confusion' bursts in with amazing power and clarity, a complex track with extremely complex audio layering. There is some occasional surface e sound but nothing intrusive. A wonderful 'Tomorrows Dream' sounds like it has only ever been played twice, its so clear. 'Changes' so delicate and poignant plays beautifully, with that echo on Ozzy's voice in the chorus, nearly always lost, sounds superb. There is some faint occasional static, but little for this quiet track, and a single pop. The abstract instrumental 'FX' plays superbly with some light static that can be expected for a track that is largely silent. It's so quiet, there are a few very light static tics and a couple of light clicks only, nothing unusual for sound a paired down track. Rounding off side 1. with the unbelievable riffy deep sound of 'Supernaut', the audio is perfect.

'Snowblind' powers in side 2. again with great, clear, perfect audio, as with 'Cornucopia, which plays with great, clear sound, perfect separation and clarity. I heard a couple of ultra light tics and a little occasional, surface static. The last quiet instrumental, 'Laguna Sunrise' just sounds great although it does play with some static and surface sound. 'St. Vitus Dance' and 'Under the Sun' finishes off this great album, again with what can only be described as superb audio, no obvious static, no loud pops or clicks.

I really enjoyed every second of this rare 1st pressing. There are NO repeat tics, NO distortion, No loud pops or clicks, NO sticks or jumps what so ever. This pressing plays with crisp clear audio throughout, with no loss of audio performance what so ever, juts some light static in places. Truly unbelievable audio experience. 

I would give this a grading of EXCELLENT PLUS to NEAR MINT condition.

THE RECORD

A superb piece of glossy vinyl, and a really thick pressing. Deep clear grooves that can only be found on the original early pressings, this vinyl has clearly only been played a couple of times. On first inspection in strong daylight there are some marks and small scratches and when inspected under a powerful spot light, it little more light marks can be seen, with only the faintest of sleeve removal marks and two very short light hairlines, but these are light. There is one very short scratch, about 4mm long, that is noticeable, but that causes no effect to the sound. 

This vinyl is graded at VERY GOOD PLUS.

A great all round Complete and Rare example of this EARLY ROCK MASTERPIECE

At least two songs on the album reference the use of cocaine. The song "Snowblind" had to be re-recorded because the original version features Osbourne yelling the word "cocaine!" after each verse. On the officially released version, "cocaine" is whispered quite audibly after the first verse, approximately 41 seconds into the song (During live performances Osbourne would again scream the word at the top of his lungs).

Vol. 4 was released in September 1972, and while critics of the era were again dismissive of the album, it achieved gold status in less than a month, and was the band's fourth consecutive release to sell one million copies in the United States. It reached number 13 on Billboard's pop album chart and number 8 on the UK Albums Chart. Following an extensive tour of the US, the band toured Australia for the first time in 1973, and later Europe. 

In an interview with Q magazine, Beck Hansen named the "Supernaut" riff as his all time favourite, equal with Neil Young's "Cinnamon Girl." Frank Zappa had also identified that song as one of his all time favourites. Supernaut was also one of Led Zeppelin drummer John Bonham's favourite songs by Sabbath. Vol. 4 would later be considered a defining album of the era and one of Sabbaths greatest moments. 

THE LABELS 

Famous 1st Press VERTIGO labels are in SUPERB Condition, no obvious marks or writing, no discernible spindle wear.  Great all round examples, with a no spindle traces, these are superb labels. 

Labels grade at NEAR MINT.

VINYL TESTED FOR ANY SIGNS OF WARPING:

Yes, NONE visible what so ever, when tested be sight and on a moving turntable.

THE COVER 

The unlaminated covers of Volume IV are almost impossible to find in great condition. They are nearly always scuffed and creased to a large extent, if not heavily worn, with white specs where the colour has been worn off across the flat surfaces. I don't need to tell you how rare it is to have a pressing that is has a solid square spine and un worn edges. 

This great complete 1st pressing comes with the original booklet and unlaminated cover, which is a great example. The cover shows light handling wear, minimal creasing and corner wear, and has certainly no tears or serious defects. There is no feathering to the openings, which is very unusual, and virtually no indentations on the front or rear panel. The cover is square and un flattened and has not lost any of its shape. The inside booklet is near perfect  and neither the cover or booklet has any of the usual finger print smudges on the outside of the inside or the pages. 

I would have to grade this at VERY GOOD PLUS.

THE INNER

Great Original 1st Press Poly lined Vertigo Swirl  inner sleeve in great condition. Great example, with some light creases only, there are no tears to the die cut centres, and NO seem splits. The sleeve is only very sightly yellowed as these nearly always are, and the original print is deep black, as they came at times. This is a great fully intact example complete with its original poly liner. 
Graded at VERY GOOD PLUS.






RARITY

Volume IV is a highly collectable vinyl, reaching increasingly high prices. And there are a number of good reasons. It is a classic, ground breaking piece of music, and has a number of brilliantly designed components, all if which are prone to wear. A matt cover, which is nearly always heavily marked and scuffed, an inner booklet that is usually unattached, torn and covered in finger prints, a black and white inner sleeve, that is usually stained and torn, and a great vinyl that was nearly always played into submission.

THIS IS A GREAT ALL ROUND 1ST PRESSING. FINDING AN ORIGINAL UK VERTGO STEREO PRESS OF VOLUME IV IN STUNNING ALL ROUND CONDITION, a 1st PRESSINGS THAT IS EXMELY RARE. 

THIS IS A GREAT PLAYING VINYL WITH SUPER BRIGHT CLEAR AUDIO, A SUPERB COVER AND INNER. I DOUBT YOU WILL EVER HESR A BETTER PLAYING PRESSING. ALL MAKING THIS A GREAT OPPORTUNITY TO OWN AN EXTREMELY RARE PIECE OF MUSICAL HISTORY!

RARE COMPLETE CLASSIC ORIGINAL VINYLS WITH TOP AUDIO AND GREAT CONDITION THROUGHOUT

AT TRADE MARK RECORDS WE SPECIALISE IN RARE COLLECTABLE PRESSINGS - WITH GREAT SOUND UNINTERRUPTED BY INTERFERENCE. NO LOUD POPS OR CLICKS, JUMPS OR REPEATS - GUARANTEED!

GREAT ORIGINAL COVERS WITH NO SEAM SPLITS, TEARS, WRITING OR STICKERS!

VINYL

We sell high quality examples of Classic Vinyl. Large format art work covers with the best original sound and mix unique to the original pressings, giving the highest audio depth and performance. Vinyl prices have soared over the last ten years, making classic examples a great financial and cultural investment.  

.

VINYL SOUND - PLEASE NOTE:

Highest quality vinyl with clear sound is rare, and what we always aim for. We sell records that play with TOP AUDIO performance; clear sound uninterrupted by hiss or interference. Even with the cleanest vinyl pressing you will find occasional static or occasional light tics during playback, caused by a build up of dust and dirt in the wide vinyl grooves. This is clearly different from the distortion, loud pops, repeating tics or clicks that are found on heavily played and worn pieces of vinyl. Static build up can reduce when played, and we advise a clean between plays for optimal performance. 

SCRUPULOUS EXAMINATION and TESTING:

All our records are play tested on highly sensitive equipment to ensure the sound quality and accuracy of description. We aim to give a precise and concise description of the sound, pointing out defects so that you know exactly what you are buying. We aim to describe our records as accurately as possible, and offer a full refund on return if for any reason you are not completely happy with the item description.

.

IMAGES and INFORMATION

We use photographs of the item for sale taken with professional digital cameras. The images are designed to be as clear as possible, giving an accurate representation of the item. We aim to give sufficient and accurate detail as possible so that you know exactly what you are buying. Please let us know if you need any further information and we will be happy to oblige.

+

SERVICE YOU CAN TRUST, QUALITY ASSURED. WE HAVE A 100% POSITIVE FEEDBACK RATING.

SOME EXAMPLES OF FEEDBACK –

BRILLIANT LP MINT CONDITION, AWESOME SELLAR, 1ST CLASS PACKAGING, NO PROBLEMS A+

Absolutely fantastic! Worth every single penny! Trust you are in careful hands!

ITEM RECEIVED.. AS DESCRIBED... PACKED GREAT...MANY THANKS..RECOMMENDED.. A*******

Great LP from a great seller. Thanks !! Very well packaged. AAA+++

Item arrived quickly, well packaged and in excellent condition. Very pleased.

fast delivery, superb communication, good item, great ebayer AAAAA+++++

.

RETURN POLICY:

100% Satisfaction Guaranteed ; - returns accepted without question. If you are not happy then any item can be returned, we cant say fairer that that!

WE ONLY SELL RARE RECORDS THAT ARE IN GREAT CONDITION. IF THERE IS ANY SLIGHT DEFECT, IT WILL BE CLEARLY STATED.

If in the unlikely event that you may want to return an item, or that we have missed something in the listing, we offer a no quibble returns policy. Items must be returned within 12 Days of receipt, and returned in the same condition that they were sent out in. Return postage will be paid by buyer, unless there is a particular fault with the item, and then we will pay the full postage costs!

RECORD GRADING SYSTEM IS AS FOLLOWS - ( BASED ON RECORD COLLECTOR MAGAZINE U.K. )

MINT: Virtually unplayed. The record itself is in brand new condition with no surface marks or deterioration in sound quality. Cover is pristine.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

V.G PLUS: The record will still be nice and shiny, but may have a few light marks, and will play well. Slight wear and tear on the cover.

V.G: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and occasional light scratch. Normal wear and tear on the cover or extra items.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, etc.

FAIR: Fair. It is noticeable that the record has been played so much that the sound quality has deteriorated very noticeably. The cover and contents are showing signs of folding, scuffing of edges etc.

.

POSTAGE AND PAYMENT DETAILS : -

Items will be extremely well sealed and securely wrapped using the best possible packaging for safe handling and delivery. We send items all round the globe with 100% success! We sell top quality rare records to discerning buyers. We do not make money from the postage costs and aim to keep the prices at a reasonable rate while never offering a cheap or second rate service. 

IT IS AN ABSOLUTE PRIORITY THAT THE RECORDS YOU BUY GET TO YOU IN PERFECT CONDITION. All RECORDS ARE REMOVED FROM THEIR MAIN COVER AND PLACED IN A BRAND NEW REPLACEMENT INNER SLEEVE TO AVOID ANY CHANCE OF EDGE SPLITS OR KNIFING. THEY ARE HELD SAFELY IN EXTRA THICK PLASTIC SLEEVES, AND THEN SECURED WITH SEVERAL EXTRA LAYERS OF REINFORCED CARD BOARD AND PADDING, DOUBLE BOXED IN EXTRA STRONG PROFESSIONAL RECORD CONTAINERS TO ENSURE THEIR SAFE ARRIVAL. WE HAVE A 100% SUCCESS RATE AND AIM TO KEEP IT THAT WAY.

Example of packaging used

UK - First Class Signed For Recorded Delivery with Insurance : = £5.00

UK Special Signed For Next Day Delivery with Insurance : = £8.90

EUROPE - International Airmail Signed For Recorded Delivery with Insurance : = £11.95

INTERNATIONAL, Non-Europe e.g. USA, Japan, Russia, Australia etc. International Airmail Signed For Recorded Delivery with Insurance : = £18.95

.

CUSTOMS CHARGES 

If this record is purchased from outside of the European Union there may be a customs fee charged. Unfortunately we cannot advise about customs fees in individual countries and advise that if you are concerned about potential fees that you contact your own Customs and Excise Department. 

.

MULTIPLE PURCHASE REDUCTION

Reduced postage for multiple records up to 30% off extra items.

POSTAGE WILL BE FIRST CLASS OR THE FASTEST AND SAFEST POSSIBLE ALTERNATIVE, - RECORDED WITH TRACKING AND INSURANCE. ALL ITEMS ARE FULLY INSURED AND COVERED FOR THE SAFEST DELIVERY POSSIBLE, AT NO EXTRA COST TO YOU. GUARANTEED!

POSTAGE RECEIPTS AND PROOF OF POSTAGE IS ALWAYS AVAILABLE. 

.

PAYMENTS 

Payments must be made within 3 days of purchasing unless an alternative arrangement has been agreed upon. We can offer payment by instalments if discussed before purchase.

Pay Pal or bank transfers are accepted for International buyers. We accept Pay Pal, bank transfers or postal orders within the UK. Records will be sent out immediately on receipt of payment.

Please Note: If no contact is made by the winning bidder following the mandatory Ebay 3 days, we will reserve the right to offer the item to the next highest bidder, unless prior notice of any delay is arranged beforehand.  Any bidder who has missed the chance to purchase a record can still email to make a priority second chance offer.   

On 02-Feb-20 at 12:44:52 GMT, seller added the following information:

INFORMATION ON CHANGES WITH BREXIT

According to HM Customs and Excise, with regards to Brexit effecting customs and duties charges, there will be no changes to the freedom of movement between the UK and EU until after the transition period, which is likely to take the full two years of negotiation time, from the end of January 2020, (if not longer) until the precise effect on export rules will be established. 

It is unlikely that there will be any changes incurred as far as customs and duties export charges between the UK and EU countries are concerned, once the transition has occurred, but this will not be be fully ratified until after the transition period ends.

We therefore guarantee that no extra customs or duties chargers will be applied to any of our sales as a result of Brexit during this period of transition.

We hope that this information is helpful.