BEETHOVEN Complete Piano Sonatas ARTUR SCHNABEL 13LP Angel NM/NM 52 page booklet
Sold Date:
January 30, 2020
Start Date:
July 31, 2019
Final Price:
$70.00
(USD)
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Buyer Feedback:
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Artur Schnabel, Ludwig van Beethoven – Beethoven the Complete Piano Sonatas on Thirteen Discs
Label:
Angel Records – GRM 4005 (COLH 51-63)
Format:
13 × Vinyl, 12", 33 ⅓ RPM, Mono, Boxset
Country:
US
Released:
1960
Genre:
Classical
Style:
Classical, Baroque
Tracklist
1aSONATA NO.1 IN F MINOR, Op. 2 No. 1, 1st Movement: Allegro
1bSONATA NO.1 IN F MINOR, Op. 2 No. 1, 2nd Movement: Adagio
1cSONATA NO.1 IN F MINOR, Op. 2 No. 1, 3rd Movement: Minuetto (Allegretto) & Trio
1dSONATA NO.1 IN F MINOR, Op. 2 No. 1, 4th Movement: Prestissimo
2aSONATA NO.2 IN A MAJOR, Op. 2 No. 2, 1st Movement: Allegro
2bSONATA NO.2 IN A MAJOR, Op. 2 No. 2, 2nd Movement: Largo Appassionato
2cSONATA NO.2 IN A MAJOR, Op. 2 No. 2, 3rd Movement: Scherzo (Allegreto) & Trio
2dSONATA NO.2 IN A MAJOR, Op. 2 No. 2, 4th Movement: Rondo (Grazioso)
3aSONATA NO.3 IN C MAJOR, Op. 2 No. 3, 1st Movement: Allegro con brio
3bSONATA NO.3 IN C MAJOR, Op. 2 No. 3, 2nd Movement: Adagio
3cSONATA NO.3 IN C MAJOR, Op. 2 No. 3, 3rd Movement: Scherzo (Allegro) & Trio
3dSONATA NO.3 IN C MAJOR, Op. 2 No. 3, 4th Movement: Allegro assai
4aSONATA NO. 4 IN E FLAT MAJOR, Op. 7, 1st Movement: Allegro molto e con brio
4bSONATA NO. 4 IN E FLAT MAJOR, Op. 7, 2nd Movement: Largo, con gran espressione
4cSONATA NO. 4 IN E FLAT MAJOR, Op. 7, 3rd Movement: Allegro
4dSONATA NO. 4 IN E FLAT MAJOR, Op. 7, 4th Movement: Rondo (Poco allegretto e grazioso)
5aSONATA NO. 5 IN C MINOR, Op. 10 No. 1, 1st Movement: Allegro molto e con brio
5bSONATA NO. 5 IN C MINOR, Op. 10 No. 1, 2nd Movement: Adagio molto
5cSONATA NO. 5 IN C MINOR, Op. 10 No. 1, 3rd Movement: Finale (Prestissimo)
5dSONATA NO. 6 IN F MAJOR, Op. 10 No. 2, 1st Movement: Allegro
5eSONATA NO. 6 IN F MAJOR, Op. 10 No. 2, 2nd Movement: Allegretto
5fSONATA NO. 6 IN F MAJOR, Op. 10 No. 2, 3rd Movement: Presto
6aSONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 1st Movement: Presto
6bSONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 2nd Movement: Largo e mesto
6cSONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 3rd Movement: Minuetto (Allegro) & Trio
6dSONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 4th Movement: Rondo (Allegro)
7aSONATA NO. 8 IN C MINOR, Op. 13 ("PATHÉTIGUE"), 1st Movement: Grave - Allegro molto e con brio
7bSONATA NO. 8 IN C MINOR, Op. 13 ("PATHÉTIGUE"), 2nd Movement: Adagio cantabile
7cSONATA NO. 8 IN C MINOR, Op. 13 ("PATHÉTIGUE"), 3rd Movement: Rondo (Allegro)
7dSONATA NO. 9 IN E MAJOR, Op. 14. No. 1, 1st Movement: Allegro
8aSONATA NO. 9 IN E MAJOR, Op. 14. No. 1, 2nd Movement: Allegretto
8bSONATA NO. 9 IN E MAJOR, Op. 14. No. 1, 3rd Movement: Rondo (Allegro comodo)
8cSONATA NO.10 IN G MAJOR, Op. 14. No. 2, 1st Movement: Allegro
8dSONATA NO.10 IN G MAJOR, Op. 14. No. 2, 2nd Movement: Andante
8eSONATA NO.10 IN G MAJOR, Op. 14. No. 2, 3rd Movement: Scherzo (Allegro assai)
9aSONATA NO. 11 IN B FLAT MAJOR, Op. 22, 1st Movement: Allegro con brio
9bSONATA NO. 11 IN B FLAT MAJOR, Op. 22, 2nd Movement: Adagio con molta espressione
9cSONATA NO. 11 IN B FLAT MAJOR, Op. 22, 3rd Movement: Menuetto
9dSONATA NO. 11 IN B FLAT MAJOR, Op. 22, 4th Movement: Rondo (Allegretto)
10aSONATA NO. 12 IN A FLAT MAJOR, Op. 26, 1st Movement: Andante con Variazioni 1 to 5
10bSONATA NO. 12 IN A FLAT MAJOR, Op. 26, 2nd Movement: Scherzo (Allegro molto) & Trio
10cSONATA NO. 12 IN A FLAT MAJOR, Op. 26, 3rd Movement: Marcia Funebre (sulla morte d'un Eroe)
10dSONATA NO. 12 IN A FLAT MAJOR, Op. 26, 4th Movement: Allegro
11aSONATA NO. 13 IN E FLAT MAJOR, Op. 27 No. 1, 1st Movement: Andante - Allegro, 2nd Movement: Allegro molto e vivace, 3rd Movement: Adagio con espressione - Allegro vivace
11bSONATA NO. 14 IN C SHARP MINOR, Op. 27 No. 2, 1st Movement: Adagio sostenuto, 2nd Movement: Allegretto, 3rd Movement: Presto agitato
12aSONATA NO.15 IN D MAJOR, Op. 28, 1st Movement: Allegro
12bSONATA NO.15 IN D MAJOR, Op. 28, 2nd Movement: Andante
12cSONATA NO.15 IN D MAJOR, Op. 28, 3rd Movement: Scherzo (Allegro Vivace) & Trio
12dSONATA NO.15 IN D MAJOR, Op. 28, 4th Movement: Rondo (Allegro man non troppo)
13aSONATA NO.16 IN G MAJOR, Op. 31 No. 1, 1st Movement: Allegro vivace
13bSONATA NO.16 IN G MAJOR, Op. 31 No. 1, 2nd Movement: Adagio grazioso
13cSONATA NO.16 IN G MAJOR, Op. 31 No. 1, 3rd Movement: Rondo (Allegretto - Adagio - Presto)
14aSONATA NO. 17 IN D MINOR, Op. 31 No. 2, 1st Movement: Largo - Allegro
14bSONATA NO. 17 IN D MINOR, Op. 31 No. 2, 2nd Movement: Adagio
14cSONATA NO. 17 IN D MINOR, Op. 31 No. 2, 3rd Movement: Allegretto
15aSONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 1st Movement: Allegro
15bSONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 2nd Movement: Scherzo (Allegro vivace)
15cSONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 3rd Movement: Menuett (Moderato e grazioso)
15dSONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 4th Movement: Presto con fuoco
16aSONATA NO. 19 IN G MINOR, Op. 49 No. 1, 1st Movement: Andante
16bSONATA NO. 19 IN G MINOR, Op. 49 No. 1, 2nd Movement: Rondo (Allegro)
16cSONATA NO.20 IN G MAJOR, Op. 49 No. 2, 1st Movement: Allegro ma non troppo
16dSONATA NO.20 IN G MAJOR, Op. 49 No. 2, 2nd Movement: Tempo di Menuetto
17aSONATA NO.21 IN C MAJOR, Op. 53 ("WALDSTEIN"), 1st Movement: Allegro con brio
17bSONATA NO.21 IN C MAJOR, Op. 53 ("WALDSTEIN"), 2nd Movement: Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
17cSONATA NO. 22 IN F MAJOR, Op. 54, 1st Movement: In tempo d'un menuetto
18aSONATA NO. 22 IN F MAJOR, Op. 54, 2nd Movement: Allegretto - Piú Allegro
18bSONATA NO. 23 IN F MINOR, Op. 57 ("APPASSIONATA"), 1st Movement: Allegro assai - Piú Allegro
18cSONATA NO. 23 IN F MINOR, Op. 57 ("APPASSIONATA"), 2nd Movement: Andante con moto, 3rd Movement: Allegro ma non troppo - Presto
19aSONATA NO. 24 IN F SHARP MAJOR, Op. 78, 1st Movement: Adagio cantabile - Allegro ma non troppo
19bSONATA NO. 24 IN F SHARP MAJOR, Op. 78, 2nd Movement: Allegro vivace
19cSONATA NO. 25 IN G MAJOR, Op. 79, 1st Movement: Presto alla tedesca
19dSONATA NO. 25 IN G MAJOR, Op. 79, 2nd Movement: Andante
19eSONATA NO. 25 IN G MAJOR, Op. 79, 3rd Movement: Vivace
20aSONATA NO. 26 IN E FLAT MAJOR, Op. 81a ("LES ADIEUX"), 1st Movement (Les Adieux): Adagio - Allegro
20bSONATA NO. 26 IN E FLAT MAJOR, Op. 81a ("LES ADIEUX"), 2nd Movement (L'Absence): Andante espressivo, 3rd Movement (Le Retour): Vivicissimamente
20cSONATA NO. 27 IN E MINOR, Op. 90, 1st Movement: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
20dSONATA NO. 27 IN E MINOR, Op. 90, 2nd Movement: Nicht zu geschwind und sehr singbar vorgetragen
21aSONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 1st Movement: Allegro
21bSONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 2nd Movement: Scherzo (Assai vivace - Presto)
22cSONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 3rd Movement: Adagio sostenuto
22dSONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 4th Movement: Largo - Allegro risoluto
23aSONATA NO. 28 IN A MAJOR, Op. 101, 1st Movement: Allegretto, ma non troppo
23bSONATA NO. 28 IN A MAJOR, Op. 101, 2nd Movement: Vivace alla Marcia
23cSONATA NO. 28 IN A MAJOR, Op. 101, 3rd Movement: Adagio, ma non troppo, con affetto - Allegro
24aSONATA NO. 30 IN E MAJOR, Op. 109, 1st Movement: Vivace ma non troppo - Adagio espressivo, 2nd Movement: Prestissimo
24bSONATA NO. 30 IN E MAJOR, Op. 109, 3rd Movement: Tema - Andante molto cantabile ed espressivo - Vars. 1 to 6
25aSONATA NO. 31 IN A FLAT MAJOR, Op. 110, 1st Movement: Moderato cantabile molto espressivo
25bSONATA NO. 31 IN A FLAT MAJOR, Op. 110, 2nd Movement: Allegro molto, 3rd Movement: Adagio ma non troppo, 4th Movement: Fuga - Allegro ma non troppo
26aSONATA NO. 32 IN C MINOR, Op. 111, 1st Movement: Maestoso - Allegro con brio appassionato
26bSONATA NO. 32 IN C MINOR, Op. 111, 2nd Movement: Arietta (con variazioni) - Adagio molto, semplice e cantabile Vars. 1 to 5
Credits
Composed By – Ludwig van Beethoven
Directed By – Artur Schnabel
Notes
Recorded in England, Manufactured in U.S.A.
Barcode and Other Identifiers
Matrix / Runout: 2XEA-X-10095
Matrix / Runout: 2XEA-X-10096
Matrix / Runout: 2XEA-X-10097
Matrix / Runout: 2XEA-X-10098
Matrix / Runout: 2XEA-X-10099
Matrix / Runout: 2XEA-X-10100
Matrix / Runout: 2XEA-X-10101
Matrix / Runout: 2XEA-X-10102
Matrix / Runout: 2XEA-X-10103
Matrix / Runout: 2XEA-X-10104
Matrix / Runout: 2XEA-X-10105
Matrix / Runout: 2XEA-X-10106
Matrix / Runout: 2XEA-X-10107
Matrix / Runout: 2XEA-X-10108
Matrix / Runout: 2XEA-X-10109
Matrix / Runout: 2XEA-X-10110
Matrix / Runout: 2XEA-X-10111
Matrix / Runout: 2XEA-X-10112
Matrix / Runout: 2XEA-X-10113
Matrix / Runout: 2XEA-X-10114
Matrix / Runout: 2XEA-X-10117
Matrix / Runout: 2XEA-X-10118
Matrix / Runout: 2XEA-X-10115
Matrix / Runout: 2XEA-X-10116
Matrix / Runout: 2XEA-X-10119
Matrix / Runout: 2XEA-X-10120
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
