American Hustle Soundtrack 2 LPs - Near Mint Red + Blue Vinyl Legacy 88843089651 (2014)
Condition: Near Mint Vinyl and Cover. Opened, but good as new. Red and Blue Vinyl, Includes original inner sleeves.
American Hustle AllMusic Review by Heather Phares Like Goodfellas and Boogie Nights before it, American Hustle's music celebrates the epic feel of '70s pop, rock, and disco and uses it to give its story extra heft. David O. Russell's tale of con men, Feds, and the mob has a lighter touch than either of those two movies, however, and this is reflected in the soundtrack's song choices. More than a few of these tracks are by Electric Light Orchestra as well as Jeff Lynne on his own, and the whimsical yet driving sound of "10538 Overture," "Long Black Road," and "Stream of Stars" lends a tongue-in-cheek tone supported by Tom Jones' "Delilah" and Chris Stills' "Live to Live." The album touches on some of the decade's definitive songs (Elton John's "Goodbye Yellow Brick Road," Wings' "Live and Let Die," Donna Summer's "I Feel Love") but never sounds like a prepackaged hits-of-the-'70s collection, due in large part to unique choices like Harold Melvin & the Blue Notes' gritty version of "Don't Leave Me This Way" and Mayssa Karaa's otherworldly Arabic interpretation of Jefferson Airplane's "White Rabbit," which is so striking that it's one of the finest songs on an album packed with big names. A nuanced and playful soundtrack, American Hustle works well as a companion piece to the movie that spawned it and on its own.
Tracklist
A1Duke Ellington–Jeep's Blues A2Steely Dan–Dirty Work A3America (2)–A Horse With No Name A4Electric Light Orchestra–10538 Overture A5Jack Jones–I've Got Your Number
B1Mayssa Karaa–White Rabbit B2Donna Summer–I Feel Love B3Harold Melvin & The Blue Notes*–Don't Leave Me This Way B4Tom Jones–Delilah
C1Wings (2)–Live & Let Die C2Bee Gees–How Can You Mend A Broken Heart C3Elton John–Goodbye Yellow Brick Road C4The Temptations–Papa Was A Rollin' Stone
D1Todd Rundgren–I Saw The Light D2Electric Light Orchestra–Long Black Road D3David Bowie–The Jean Genie D4Jeff Lynne–Stream Of Stars D5Frank Sinatra–The Coffee Song (They've Got An Awful Lot Of Coffee In Brazil) D6Ella Fitzgerald–It's De-Lovely D7Danny Elfman–Irving Montage
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.
MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.
NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects.
VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear.
VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits.
GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.
GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.
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