Herbie Hancock ‎– Thrust Columbia ‎– PC 32965 vinyl LP VG+

Sold Date: April 30, 2016
Start Date: April 30, 2016
Final Price: $15.00 (USD)
Bid Count: 1
Seller Feedback: 399
Buyer Feedback: 46


 ‎– Thrust Label:  ‎– PC 32965 Format: , LP, Album 
Country: Released: Genre: ,  Style: ,  Tracklist A1Palm Grease10:34A2Actual Proof9:41B1Butterfly11:18B2Spank-A-Lee7:11 Companies, etc. Phonographic Copyright (p) –  Copyright (c) –  Manufactured By –  Distributed By –  Recorded At –  Credits Cover – * Drums –  Electric Bass –  Electric Piano [Fender Rhodes], Clavinet [Hohner D-6], Synthesizer [Arp Odyssey, Arp Soloist, Arp 2600, Arp String] –  Engineer [Recording Engineer] –  Percussion –  Producer – ,  Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute [Alto Flute] –  Written-By –  (tracks: B1), ,  (tracks: B2), (tracks: B2) Notes Produced for David Rubinson & Friends, Inc. 
Recorded at Wally Heider Studios, San Francisco. 

(c) & (p) 1974
AllMusic Review by Richard S. Ginell 

The follow-up to the breakthrough  album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force. There is only one change in the  lineup -- swapping drummer  for  -- and the switch results in grooves that are even more complex.  continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string synthesizer which was already becoming a staple item on pop and jazz-rock records. Again, there are only four long tracks, three of which ("Palm Grease," "Actual Proof," "Spank-A-Lee") concentrate on the funk, with plenty of 's wah-wah clavinet, synthesizer textures and effects, and electric piano ruminations that still venture beyond the outer limits of post-bop. The change-of-pace is one of 's loveliest electric pieces, "Butterfly," a match for any tune he's written before or since, with shimmering synth textures and  soaring on soprano (Hancock would re-record it 20 years later on , but this is the one to hear). This supertight jazz-funk quintet album still sounds invigorating a quarter of a century later.


All of my albums include a protective vinyl inner sleeve. Many of the albums have my name in block letters about 2” by ½” on the inside of the sleeve (where the album slides in) and then again on the album label about ½” long by 1/8” high.

 

 

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