BOB DYLAN~I WANT YOU c/w JUST LIKE TOM THUMB~RARE ORIG '66 COLUMBIA 7"PIC SLEEVE

Sold Date: June 3, 2020
Start Date: May 27, 2020
Final Price: $28.00 (USD)
Bid Count: 4
Seller Feedback: 24631
Buyer Feedback: 3973


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WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

 

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·       BOB DYLAN –I WANT YOU c/w JUST LIKE TOM THUMB'S BLUES (PLEASE NOTE THAT "B" SIDE IS NOT LISTED ON THE PICTURE SLEEVE– RARE ORIGINAL 1966 COLUMBIA RECORDS MONO 7-inch PICTURE SLEEVE 4-43683

 

·       ORIGINAL U.S. PRESSING

 

 

***PLEASE NOTE: WE ARE OFFERING HERE ONLY A RARE PICTURE SLEEVE. THE RECORD IS NOT INCLUDED (SORRY!) ***

 

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

 (PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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"I Want You" is not one of the more discussed songs off Blonde on Blonde by critics. But it was one of his most successful 1960s recordings, reaching the Top 20 in 1966 as a single. Dylan was not the greatest writer of melodies even at his peak, and one of the reasons "I Want You" was selected as a single, no doubt, was that it had far stronger hooks than most of his compositions. The principal one was the dancing organ, bouncy and circus-like in tone, heard in the opening instrumental section. That organ keeps interjecting, though subtly, during the verses, which boast one of Dylan's most wistful tunes, though the arrangement is upbeat and rocking. "I Want You" is, like many of his mid-'60s numbers, a love song, but a most enigmatic and surrealistically phrased one. The scenario Dylan seems to be describing is one in which the whole world is conspiring to keep him from declaring and solidifying his love. It's not the whole world in a paranoid pop Gene Pitney-Roy Orbison sense, but the whole world as represented by some downright weird characters (for a pop song, certainly): a lonesome organ grinder, a drunken politician, a guilty undertaker, a child in a Chinese suit. But Dylan's uncowed, exulting joyfully in the chorus that he wants her anyway. There's a brief bridge in which the melody briefly gets darker before resolving with more optimistic, sunny progressions; it's a good section, and it's a little surprising that it's only used once in the song. Dylan's sing-speak voice sounds worn but playful on "I Want You," and there's more than a touch of surrealistic humor, especially in the line where he takes a flute from the child in a Chinese suit and admonishes himself: "No I wasn't very cute to him, was I?" Some energetic harmonica work helps drive a song which certainly rates among Dylan's peppiest. Considering that it was a pretty big hit, there haven't been that many cover versions of "I Want You." Two of the more famous acts to tackle the tune were the Hollies, who put it on their late '60s album of Dylan covers, and Bruce Springsteen, who did it live (but did not release it) in the mid-'70s.

 

 (EXCERPT FROM AN ONLINE SONG REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

Among the masterpieces of Bob Dylan's amazing outpouring of songs in the mid-'60s, "Just Like Tom Thumb's Blues" is a minor pleasure. For anyone else, its extravagant imagery and literary references would make it a sophisticated, comic tour de force. But it has tended to be overshadowed by Dylan's other songs of the period. When he came to record it on August 4, 1965, it was only the warm-up to the lengthy, surreal "Desolation Row," and that sequencing carried over when the two songs appeared at the end of the Highway 61 Revisited LP later in the month. In the song, after the usual Dylan backup instrumentation of the period -- guitar, piano, organ, bass, drums -- sets up a lazy, rolling groove, the singer comes in sounding tired and telling a tale about being lost in the rain in Juárez, Mexico, at Easter time. Critics have pointed out the similarity of the setting to Malcolm Lowry's novel Under the Volcano, and that's only the start of the footnotes. Before the end of the first of the six verses, you are "down on Rue Morgue Avenue," calling to mind Edgar Allen Poe's short story "The Murders in the Rue Morgue." The tone is established: This is a tale of horror and dissipation. You and the narrator (who is acting as something of a tour guide) encounter shady women like Saint Annie and Sweet Melinda, as well as corrupt authorities. The narrator drinks and drugs his way into helplessness, and having done so, declares ironically at the end, "I'm going back to New York City/do believe I've had enough." And what does Tom Thumb (never mentioned in the lyrics) have to do with all this? By 1965, Dylan had established a pattern of using titles that had little apparent relationship to their songs, and this may be another one. But biographer Robert Shelton, recalling Dylan's affection for Rimbaud, cites the poet's "My Bohemian Life (Fantasy)," in which he refers to himself as "Tom Thumb in a daze," as a possible source of inspiration for the title. Dylan performed "Just Like Tom Thumb's Blues" frequently during his band tour of 1965-1966. In June 1966, a live version of the song that had been recorded on May 14 in Liverpool was released as the B-side of the Dylan single "I Want You." This marked the first commercial release of a live recording by Dylan and the only release of material from the 1966 British tour until the 1998 release of The Bootleg Series, Vol. 4: Live 1966. "Just Like Tom Thumb's Blues" earned one of its few covers when Judy Collins recorded it for her fall 1966 In My Life album. Dylan put his recording on Bob Dylan's Greatest Hits, Vol. 2 in 1971 and performed it regularly on his 1974 comeback tour. It has continued to be an occasionally performed song in his concert repertoire ever since. Though there haven't been a lot of covers, the song has appealed especially to women singers, earning recordings by Nina Simone and Linda Ronstadt. At the 1992 Dylan tribute concert held at Madison Square Garden, it was sung by Neil Young.

 

 (EXCERPT FROM AN ONLINE SONG REVIEW BY WILLIAM RUHLMANN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

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·       CONDITION:

 

·       45-RPM SINGLE RECORD:

 

(IMPORTANT NOTE: unless otherwise noted below, ALL records are graded visually, and NOT play-graded!; we  grade records under the normal room light or discrete sunlight)

 

 

***PLEASE NOTE: WE ARE OFFERING HERE ONLY A RARE PICTURE SLEEVE. THE RECORD IS NOT INCLUDED (SORRY!) ***

 

 

·       PICTURE SLEEVE

 

THE PICTURE SLEEVE IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++

 

The following flaws or imperfections are noted on the sleeve:

 

-         Sleeve has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1 (BARELY VISIBLE)

 

-        Sleeve has a few tiny wrinkles along the seams  (BARELY VISIBLE)

 

 

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  SLEEVE

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail OR International Express mail when making a payment.

 

INTERNATIONAL POSTAGE rates vary from one region of  the world to another. For SPECIFIC international and domestic postage rates . While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid.   for the full text of our policy

 

 

FINE (BUT IMPORTANT!) PRINT

 

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

 

 

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