Sold Date:
December 7, 2014
Start Date:
December 4, 2014
Final Price:
$57.28
(USD)
Bid Count:
15
Seller Feedback:
14174
Buyer Feedback:
191
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SHIPPING:
ADVANCED RELEASE WHITE LABEL PROMOTIONAL 1969 "IMMEDIATE" LABEL ROCK ARTIFACT
HUMBLE PIE As Safe As Yesterday USA - (white label) IMMEDIATE RECORDS - IMOCS 101 ADVANCED RELEASE WHITE LABEL PROMOTIONAL COLLECTION WORTHY CLEAN PRE-RELEASE 1969 "original pressing" collectible, hard to find for sure in solid condition, like this... Desperation - 6:28 CONDITION: The cover: Stiff and solid all the way around, "EX" (excellent) with no problems anywhere, in nice shape... no bends, no writing and no split seams The vinyl: all clean across both sides with nothing more than maybe little inner sleeve paper scuffs, visible grade is "EX" (excellent) and play grade is easily clean...with clean white Immediate labels
keeper! A GREAT ADDITION TO ANYONE'S COLLECTION ! SEE: SELLERS OTher items for similar cool sounds for "head" people... EFFICIENT/CAREFUL GRADING All imperfections are noted both cover & record
Following his departure from The Small Faces, in April 1969 singer/guitarist Steve Marriott was in Paris, providing sessions support to French musician Johnny Halliday. Having just left The Herd, Peter Frampton was working at the same sessions. The two quickly decided on a musical collaboration, recruiting former Art/Spooky Tooth/V.I.P.s bassist Greg Ridley and ex-Apostolic Intervention drummer Jerry Shirley into the line up (see separate entries). Now known as Humble Pie, the quartet spent several months in private rehearsals at Marriott's home out in the English countryside before scoring a recording contract with Andrew Loog Oldham's Immediate label.
Released in mid-1969, their debut "As Safe As Yesterday Is" highlighted the band's conflicting musical influences and interests. As to be expected, Marriott proved an advocate for a straight-ahead, no-holds-barred style of crotch rock (a roaring cover of Steppenwolf's "Desperation" and the self-penned "Bang!"). Frampton and the rest of the band opted for a much more varied mix, including the Indian-flavored instrumental "I'll Go Alone" and the title track (the only Marriott-Frampton collaboration). Unfortunately, their early efforts to accommodate the dual approaches resulted in varied styles, still popular enough to warrent a decent placing on the English charts, rising to #32