Sold Date: December 3, 2020
Start Date: December 7, 2019
Final Price: £30.00 (GBP)
Seller Feedback: 1498
Buyer Feedback: 29

British-only first release of the BBC-TV soundtrack album 'Eastenders Sing-Along' (1985), featuring the 1985 Cast Of Eastenders.
Soloists on this album include Letitia Dean, Gillian Taylforth, Anna Wing, Leslie Grantham, Sandy Ratcliffe and Oscar James.
The 1985 Cast Of Eastenders ‎– Eastenders Sing-Along (TV Soundtrack) (1985)

Condition (refer also to notes at bottom):
Vinyl: EX. Looks superbly clean on visual inspection. No obvious signs of any marks, scuffs or hairlines anywhere. Played just pre-listing and sound clarity is great throughout. Plays with no skipping, jumping or sticking. A fabulous listening experience.
Outer Sleeve (Cover): EX. Colours are clear and unfaded. Some very light scuffing to edges and nicks to corners but nothing major. A couple of creases in from spine. Aperture and spine are in great shape. Reverse side has one or two tiny dents but no other major flaws. Overall a fantastic example.
Inner sleeve: EX. Original. Clear plastic sleeve. Folding and creasing but intact.

Label: BBC Records And Tapes ‎– REB 586
Format: Vinyl, LP, Album, Stereo
Country: UK
Released: 1985
Genre: Pop, Stage & Screen, Vocal
Style: Music Hall, Soundtrack, Score

Tracklist
A1a. Maybe It's Because I'm A Londoner.
A1b. Who Were You With Last Night.
A1c. Hold Your Hand Out You Naughty Boy.
A1d. Hello! Hello! Who's Your Lady Friend.
A1e. The Man Who Broke The Bank At Monte Carlo.
A1f. Ship Ahoy (All The Nice Girls Love A Sailor). (Soloist – Letitia Dean)
A1g. It's A Long Way To Tipperary.
A1h. I Do Like To Be Beside The Seaside.
A2a. Pack Up Your Troubles In Your Old Kit-Bag.
A2b. Goodbye Dolly Gray. (Soloist – Leonard Fenton)
A2c. Don't Dilly Dally On The Way (The Cock Linnet Song). (Soloist – Gillian Taylforth)
A2d. Run, Rabbit Run.
A2e. Wot'cher! (Knocked 'Em In The Old Kent Road).
A2f. Waiting At The Church (My Wife Won't Let Me).
A3a. Strollin'.
A3b. Underneath The Arches.
A3c. Hometown.
A3d. Lily Of Laguna.
A3e. On Mother Kelly's Doorstep.
A3f. I'm Forever Blowing Bubbles.
A4a. The Barrow Boy Song.
A4b. Lambeth Walk.
A4c. A Nice Cup Of Tea.
A4d. Daddy Wouldn't Buy Me A Bow-Wow. (Soloist – Anna Wing)
A4e. I'm Henery The Eighth I Am!. (Soloist – Leslie Grantham)
A5a. Boiled Beef & Carrots.
A5b. Any Old Iron.
A5c. My Old Man's A Dustman.
A5d. I've Got A Lovely Bunch Of Coconuts.
A5e. Knees Up Mother Brown.

B1a. Give My Regards To Broadway.
B1b. Are You From Dixie.
B1c. If You Knew Susie Like I Know Susie.
B1d. Baby Face.
B1e. (I'm Looking Over A) Four Leaf Clover.
B2a. Toot Toot Tootsie.
B2b. Somebody Stole My Girl.
B2c. Put Your Arms Around Me Honey.
B2d. Oh Johnny Oh Johnny Oh.
B2e. Yes Sir That's My Baby.
B3a. For Me And My Gal.
B3b. Shine On Harvest Moon. (Soloist – Oscar James)
B3c. Who's Sorry Now.
B3d. You Made Me Love You.
B3e. It Had To Be You.
B3f. Some Of These Days.
B4a. Alabamy Bound.
B4b. Waiting For The Robert E. Lee. (Soloist – Sandy Ratcliffe)
B4c. When You're Smiling (The Whole World Smiles With You).
B4d. California, Here I Come.
B4e. Swanee.
B5a. Roll Out The Barrel (Beer Barrel Polka).
B5b. Row Row Row.
B5c. She'll Be Coming Round The Mountain.
B5d. How Ya Gonna Keep 'Em Down On The Farm.

Companies, etc. Phonographic Copyright (p) – BBC Enterprises Ltd.
Copyright (c) – BBC Enterprises Ltd.
Manufactured By – PRT Ltd.
Distributed By – PRT Ltd.
Recorded At – PRT Studios
Mixed At – PRT Studios

Credits
Bass, Guitar, Banjo – Stewart James
Directed By – Bradley & Stewart James*
Drums – Bradley James
Engineer – Alan Leeman, Bob Mallet*
Mastered By – PAG
Performer – Adam Woodyatt, Andrew Johnson, Anita Dobson, Anna Wing, Bill Treacher, Doreen Taylor, Gillian Taylforth, Jeannie Taylor, June Brown, Leonard Fenton, Leslie Grantham, Letitia Dean, Linda Davidson, Nejdet Salih, Nick Berry, Oscar James, Paul J. Medford*, Peter Dean, Ross Davidson, Sandy Ratcliff, Shirley Cheriton, Susan Tully, Tom Watt
Photography By – Doug Mckenzie
Piano – Ivor Raymonde
Producer – Simon May
Producer, Executive-Producer – Tony Hiller

Notes
"Here is your chance to join the 'EastEnders' of Albert Square, London E.20 for a good old Cockney 'knees-up'.
Sing along to all your favourite party songs with the cast of BBC Television's smash-hit twice-weekly serial, round the piano at 'The Queen Vic'.
And don't forget that you can enjoy all the latest gossip and going-ons round Albert Square in EastEnders, on BBC-1 every Tuesday and Thursday."

Special thanks: Julia Smith, William Grierson, Maggie West

Track B2e (Yes Sir That's My Baby) has a writing credit for Edgar Leslie and E. Ray Goetz. By all accounts this song was actually written by Walter Donaldson and Gus Kahn.
Barcode and Other Identifiers

Barcode: 5011755502317
Matrix / Runout (Runout, A-side, etched (Variant 1)): REB 586 A1 PAG
Matrix / Runout (Runout, A-side, etched (Variant 2)): REB 586 A2 PAG
Matrix / Runout (Runout, B-side, etched (Variant 1)): REB 586 B1 PAG
Matrix / Runout (Runout, B-side, etched (Variant 2)): REB 586 B2 PAG LYN-17029
Rights Society: MCPS



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ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.