THE CANNONBALL ADDERLEY QUINTET....Featuring: Nat Adderley THE CANNONBALL ADDERLEY QUINTET IN SAN FRANCISCO LP Personnel: Alto Saxophone – Julian "Cannonball" Adderley Bass – Sam Jones Cornet – Nat Adderley Drums – Louis Hayes Piano – Bobby Timmons ​Recorded live at The Jazz Workshop, San Francisco; October 18 and 20, 1959 ....ORIGINAL 1960 MONO LP....JAZZ - HARD BOP.... ORIGINAL: RIVERSIDE RLP 12-311 LP ​FORMAT: MONO YEAR: 1960 OUTER SLEEVE: VG/VG+ (....general ageing/shelf/edge-rubs from storage; has an old split top seam that has partial old clear tape repair to same in one spot; has tight 1" split bottom seam.....see photos) INNER SLEEVE: Original "rice-paper" type sleeve LP: NM (very nice....plays nicely on my Denon) LABEL: NM (....see photos)

THE CANNONBALL ADDERLEY QUINTET....Featuring: Nat Adderley

THE CANNONBALL ADDERLEY QUINTET IN SAN FRANCISCO LP

Personnel:
Alto Saxophone – Julian "Cannonball" Adderley
Bass – Sam Jones
Cornet – Nat Adderley
Drums – Louis Hayes
Piano – Bobby Timmons ​Recorded live at The Jazz Workshop, San Francisco; October 18 and 20, 1959

....ORIGINAL 1960 MONO LP....JAZZ - HARD BOP....

ORIGINAL:  RIVERSIDE RLP 12-311 LP

​FORMAT:  MONO

YEAR:  1960

CONDITION (Please see grading table below for definitions):

***THIS LP HAS BEEN PLAY-GRADED***

OUTER SLEEVE:  VG/VG+  (....general ageing/shelf/edge-rubs from storage; has an old split top seam that has partial old clear tape repair to same in one spot; has tight 1" split bottom seam.....see photos) INNER SLEEVE:  Original "rice-paper" type sleeve LP:  NM  (very nice....plays nicely on my Denon) LABEL:  NM  (....see photos)

Shipping

***I will always offer a combined shipping rate on multiple items purchased.***

***All records are shipped in proper record mailers with cardboard inserts for extra protection***

Grading (PLEASE READ SO THERE ARE NO SURPRISES)

All records are carefully graded. In an attempt to give customers an accurate impression of condition rather than adhere to somewhat arbitrary criteria, I give an "overall presentation" grade, supplemented when necessary with additional remarks (which is more often than not). Please refer to my grading system below for a more detailed explanation as well as my general comments above in the grading description.  Most items will be play-graded and/or sampled.

GRADING DESCRIPTIONS

Records:

Sealed:  still factory sealed….any defects will be noted Mint: Like new or near new with only one or two small insignificant defects Near Mint/M-:  Extremely nice….generally any defects will be superficial and will be detailed VG++ or EX:  Still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like VG+: A nice, but used record that may have a series of light scuffs or scratches. It probably plays with a some pops VG: A well-used record that still should sound OK when played, but may have moderate surface noise, pops, and even a possible skip. VG-: A very well-worn record that plays through, probably has skipping and snap, crackle, pop Good: Probably will play through but with much in the way of surface noise, pops, crackles, skips etc. Fair: You're getting this record just to own – generally listed due to rarity regardless of condition Poor: The sky's the limit as far as condition in the negative sense – generally listed due to rarity regardless of condition

COVERS:

There are really too many possible defects regarding covers to be as specific in my definitions as I had been with my record grades. But please keep in mind these general grading guidelines as I will use the above grading format with general specific comments as to condition, etc.