Sold Date: February 28, 2017
Start Date: February 21, 2017
Final Price: £116.00 (GBP)
Bid Count: 10
Seller Feedback: 4372
Buyer Feedback: 70

I don't mind, other guys dancing with my girl,
That's fine, I know them all pretty well,
But I know sometimes, I must get out in the light,
Better leave her behind with the kids, they're alright.
The kids are alright.

Sometimes, I feel I gotta get away,
Bells chime, I know I gotta get away,
And I know if I don't, I'll go out of my mind,
Better leave her behind with the kids, they're alright,
The kids are alright.

I know if I go, things would be a lot better for her,
I had things planned, but her folks wouldn't let her.
I don't mind other guys dancing with my girl,
That's fine, I know them all pretty well,
But I know sometimes I must get out in the light,
Better leave her behind with the kids, they're alright,
The kids are alright.

Sometimes, I feel I gotta get away,
Bells chime, I know I gotta get away,
And I know if I don't, I'll go out of my mind.
Better leave her behind with the kids, they're alright,
The kids are alright, the kids are alright, the kids are alright.
THE WHO: "The Kids Are Alright" / "The Ox" 45 VERY RARE FIRST UK PRESSING IN MONO.
RELEASED 3rd SEPTEMBER, 1966, BUT IT COMPLETELY FAILED TO SELL AND NEVER MADE A CHART ENTRY.
This is from a superb collection of the Who's UK singles, including the rarest UK pressings, "The Kids Are Alright" was one of
three Brunswick label singles issued after the Who left to s-gn with the newly founded 'Reaction' label.  I recently sold the
"La - La - La - Lies" single and once again, "The Kids Are Alright" was only played once.  "The Kids Are Alright"  did enter
  the UK charts but so briefly, my accurate Chart book has an amusing 're-issue attached, technically if a record charts, then
drops out and returns immediately, it becomes a 're-issue'.  Although the same first pressing but there are very strict rules in
  my book and this will illustrate how that worked for this very low selling "The Kids Are Alright."  

In the first week of September, 1966 "The Kids Are Alright" made a chart entry at No.41, the duration was only for 14 days before
dropping out.  The 24th September, 1966 it re-entered the UK charts at No.48, for the briefest possible duration of only 7 days,
the minimal time allowed to register for a chart position.  For a 1966 single, that created a rarity, I only sell Who singles as
close to Mint as possible, the collection of UK Who singles, included the almost unobtainable Brunswick 1966 first pressing
in once played only, totally unmarked, Mint condition.  In fact, this time, only the B-side,"The Ox," was played, there is only one
ultra faint spindle contact trace on the "The Kids Are Alright" A-side, none at all on the thickly textured label centre of the
B-side.  That automatically means it was played once in the original 1966 record shop, selecting the B-side for a sample is
typical of 1960's records. The same applies to EP's and LP's when Side 2 was selected, so a very exciting very rare unplayed
"The Kids Are Alright," the first I have ever encountered......since 1966 when I bought my copy back in my Mod era.  Under the
circumstances, I will somehow resist playing it myself and offer this amazing record without a played A-side.   Please see my
label pictures for an astonishing sight!   To present the "The Kids Are Alright" single will mean retreading the same path as the
"La - La - La - Lies" single, but I knew that would happen to both this "The Kids Are Alright" and "Legal Matter" single when I
  list that on ebay.  I'm spreading them out, because I love having this collection to dip into and slowly part with Who singles
I'm still in awe of.  To briefly explain that, I was fortunate to see the Who playing live in late 1965 and in 1966, an experience
I will never forget, yes, Pete, Roger and Keith smashed their instruments and amps with genuine aggression at the end of the
set.  1966 was in  my local 'Palais' in Ilford, Pete Townshend smashed his guitar so hard into the stage, the end of his guitar
with the tuning pegs, flew out into the audience standing watching.  My friend Colin reached out and caught it and took it home!


BRUNSWICK LABEL: O59658.
  
  MAITRIX: 45 - 116699 - 1C  /  45 - 116786 - 1C
Pressed by Decca, the very first pressing, but only the one small pressing was ever made.


ORIGINAL 1966 RED & WHITE BRUNSWICK SLEEVE, IN EXCELLENT++ / NEAR MINT CONDITION.
Hardly aged with only a record impression and a few related light creases, some ruffling on the edges of the die-cut centre but
perfectly strong, after all, this is the very sleeve this record was first placed inside, 51 years ago now. .


THE THICKLY TEXTURED  LABELS ARE IMMACULATE  AND AS MENTIONED, NO SPINDLE CONTACTS AT ALL ON THE
A-SIDE'S CENTRE AND ONLY THE ONE EXTREMELY FAINT TRACE ON THE B-SIDE'S LABEL MIDDLE.
THE VINYL LITERALLY LOOKS LIKE BRAND NEW, NO SCRATCHES WITH ONLY ONLY ULTRA FAINT AND FEATHER
LIGHT HANDLING TRACE.   NO DOUBT FROM FACTORY HANDLING BECAUSE THE OTHER SINGLES FROM THIS AMAZING
COLLECTION WERE LOVINGLY KEPT PURELY FOR POSTERITY AND NOT TO PLAY.  EVEN FOR AN UNPLAYED SIDE, I AM  
GRADING THIS WITH A MINUS SUFFIX TO INCORPORATE THAT FEATHER LIGHT SMALL HANDLING TRACE.
THE RECORD IS IN  TRULY STUNNING, ONCE PLAYED, MINT- CONDITION.

The mentioned trio of very rare Brunswick label singles issued just after the Who left  to sign with Robert Stigwood's just formed
  'Reaction label.'   Brunswick reacted by releasing three of the greatest tracks from the Who's remarkable 1965 "My Generation"
  debut album as singles, well, six tracks really because two B-sides were also on the album and the  "Legal Matter" B-side was
  an unreleased recording from the album sessions in 1965, "Instant Party."  They are rare singles then and today because of the
  low sales, "The Kids Are Alright"contained a one-off for the Who, "The Ox" was the only instrumental issued on a Who single, in
  the same 1966, an instrumental did appear on the Who's first single on 'Reaction',"Substitute", but it was not performed by the
  Who!   The first  of the 1966 Brunswick singles released from the "My Generation" album was " A Legal Matter" / "Instant Party"
  in March, 1966, followed by "The Kids Are Alright" / "The Ox" on the 3rd September, 1966, and later in the year the final one,
  "La - La - Lies" / "The Good's Gone" on the 11th November, 1966.  Writing about 1965 recording's released in 1966 cannot make
any sense without the connection between the Brunswick singles and the Who in the same time frame.  Shel Talmy went straight
  for the listener's senses by mixing the  tracks with extreme volume, power and sheer impact, just like all of the Who records in
  the 1960's.  Why not, when you had the extraordinary powerhouse drumming from Keith Moon, John's bass played more like a
  weapon, Pete's aggressive guitar and Roger's sensational vocals?  The Who's era of leaving Brunswick and starting again with the
  Reaction label was extremely complex and it placed the band in a courtroom being sued!  


In March,1966, the Who went straight to work, recording and releasing their first single for the Polydor owned new "Reaction"
  label,"Substitute."  For the B-side, the Who re-recorded a new version of Pete's "Instant Party", re-titled "Circles"......I did say
this was complicated, some of the first "Substitute" Reaction pressings had the original "Instant Party" title and now the whole
affair was about to become an actual 'legal matter.'  Former Who producer, Shel Talmy, who had only recently produced the first
recording of "Instant Party" during recording sessions for the "My Generation" album, issued a court injunction against Polydor,
forcing the withdrawal of the Reaction "Substitute" single, on the very same week in March, 1966 it was issued in Britain!  Crazily
in spite of Pete Townshend writing the song and the Who performing it, Shel Talmy and Brunswick owned the copyright, or as the
original 1966 Brunswick label has it printed, "Produced by Orbit-Universal Ltd. Co."  Brunswick's parent company, Decca, in fact
owned the license and they were now after their pound of flesh!  That was the way it was in the 1960's, so "Substitute" had to be
  withdrawn immediately, because the judgement came on the day of the release, naturally fans who were ready and waiting, were
  lucky to buy a copy or today they would not exist, be it in very small numbers though.  It was now very urgent for Reaction/Polydor
  to make a second pressing in their haste to get the legally owned "Substitute" released, a track not even recorded by the Who was
  used as the B-side, "Waltz For A Pig", quickly commissioned and recorded by The Graham Bond Organisation.  The reason the Who
  wre prevented from recording another track for the B-side, was tied into the Shel Talmy injunction, that included precluding the
  Who from recording until the first week in April.  So there was a certain amount of irony in that "Waltz For A Pig" song title!
    People often ask how I have so much knowledge about records like this, it was an all consuming obsession that at the time felt
  perfectly normal, following events like this was not exactly a passing interest, I saw The Who playing live before they were even
  known outside local Mods around London.  From "I Can't Explain" every new single and LP was eagerly and impatiently waited for,
reading the weekly music press papers for a snippet of news and date of the releases.  I have all this information in my original
March,1966 "New Musical Express", the centre pages contained the very latest news for all artists, presented in short paragraphs
with tour announcements as well, the mini headline is,"The Who's New Single Withdrawn."  Amazingly the very same edition has a
  Reaction promotional advert for "Substitute," full size covering the complete back page!  Out of interest, Decca or Brunswick had
  placed a rival promo advert for "Legal Matter" in that week's "NME", but in a cheaper small box.  "Substitute" was allowed to be
  released once again on the 18th March and Reaction were allowed to sell the few remaining first pressings with "Instant Party" or
  "Circles" alongside the turquoise second pressings.  Only just missing hitting the Top and made No.2 in the UK charts, meanwhile
without any competition since the 7th March, the "Legal Matter" Brunswick single had a free run and after just over two weeks of
slow sales, "A Legal Matter" struggled no higher than No.32, the 25th March. I will conclude the fate of "Instant Party"/"Circles",
in 1966 the little known but extremely talented Les Fleur de Leys recorded a superb version of "Circles" for the Immediate label,
  produced by a certain Jimmy Page, it failed to sell and the original single commands incredible prices today.  In the same 1966
The Who were far from leaving their second recording unheard, Pete Townshend overcame one of his greatest songs to date being
  deemed not to belong to him by a court injunction, in the time honoured way, re-recording it for Reaction with the new title now
firmly now as "Circles."  The Reaction label's 1966 EP ,"Ready Steady Who," includes that second version of "Circles," so two
versions exist but they are completely different recordings with different producers, I love them both!  The lyrics are slightly
different as well, we are so fortunate to have two versions of such a magnificent Who song that also happened to be historically
major. "Instant Party" marks the very point The Who evolved from their original Mod r&b, into the exciting psychedelia that was
about to become a renaissance,"Instant Party" was the very first track with Reaction, moving into a new, sensational direction.
  After the November, 1966, "La - La - Lies"single, the Who a short step from releasing "A Quick One, While He's Away" album in
  December, 1966.  You could conclude 1966 was quite an eventful year for the Who and their fans!
 
When the dust had landed and the battle won, Brunswick released "The Kids Are Alright" / "The Ox" single and I am thrilled to be
  able to offer this and the other fantastic condition singles.  Just holding Mint Who singles from the Mod era is beyond words and
  accepting not playing this record is a wrench, but one I am delighted to have.
  {Roy}
    R & M RECORDS.

My lifetime's love of music and records began at a very young age, the arrival of the Beatles and the 1960's decade
  in general had a very profound effect. It was only natural to bring all my first hand experience of collecting vinyl
  into becoming a professional record seller.  Nearly thirty years ago we entered into the wonderful atmosphere
of record fairs with the highest possible standards set. When the Internet became the world's new market place for
  vinyl, in 2001 it was time to join ebay. Those standards were rigidly adhered to as they will always continue to be,
the basics of honesty and integrity were very much part of the era the music I love originated in, so here is our friendly
and very efficient service we are proud to provide;

EVERY RECORD IS FULLY PLAYED AND COMES WITH A 'NO ARGUMENT' MONEY BACK GUARANTEE.
  I USE GOOD OLD COMMON SENSE AS WELL AS A GLOBALLY ACCEPTED GRADING TERMINOLOGY
  FROM THE U.K. "RECORD COLLECTOR PRICE GUIDE" BOOK.
THERE IT CLEARLY STATES "Sound Quality" AFFECTS EVERY GRADING LEVEL AND THAT IS THE ONE
AND ONLY POSSIBLE WAY TO ACCURATELY GRADE RECORDS. i.e. COMBINING A STRICT VISUAL
INSPECTION WITH VERY CLOSELY LISTENING TO EVERY SECOND, UNLESS PERHAPS IN THE CASE
OF GENUINELY UNPLAYED VINYL.  EVEN THEN WE STILL TAKE FULL RESPONSIBILITY FOR A RECORD
WHEN A CUSTOMER RECEIVES EITHER A SEALED OR AN UNPLAYED RECORD.
 

  We take 100% responsibility after an item has been posted and offer our fullest support in the event of any problems.
"There Are No Problems, Only Solutions" (John Lennon)
MY DESCRIPTIONS WILL ALWAYS BE 100% HONEST AND TOTALLY ACCURATE ON ALL GRADINGS
FROM 'V.G.' ( VERY GOOD), TO THE ULTIMATE 'MINT' CONDITION.


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We have kept all our charges at the same level for years now, but due to the Post Office's new price increases, regretfully we
will have to increase the cost of LP's, however, singles will remain unchanged.  Ebay were aware of that happening and have
  increased their minimum postal cost for LP's to £7.00, that figure has been enforced by the UK Post Office and it will become
our UK First Class, Recorded Delivery cost for albums up to the value of £46.  A temporary reduction this week means we can
now post LP's for £5, but who knows how long before the Post Office return to £7?

For LP's valued above £46, the cost will be £9, we are unhappy about either increase but our high standard of packaging has meant
in 13 years of ebay trading, there has not been one record damaged, we are determined to maintain that in the present and future.

IN THE UK RECORDS UP TO THE VALUE OF £46 WILL BE SENT RECORDED DELIVERY, OVER £46 WILL BE
SENT SPECIAL DELIVERY.
  FOR THE REST OF THE WORLD ALL RECORDS WILL BE SENT VIA 'INTERNATIONAL SIGNED FOR.'

POSTAGE  COST FOR LP's
UK: UP TO VALUE OF £46, FIRST CLASS RECORDED DELIVERY  £5.00
UK: OVER VALUE OF £46, FULLY INSURED SPECIAL DELIVERY £9.00


EUROPE: FULLY INSURED VIA INTERNATIONAL SIGNED FOR  £15.00


USA,JAPAN & REST OF THE WORLD FULLY INSURED VIA INTERNATIONAL SIGNED FOR £20.00


POSTAGE COST FOR EP's & 7"
UK: UP TO THE VALUE OF £46 FIRST CLASS RECORDED DELIVERY £3.00
UK: OVER THE VALUE OF £46 FULLY INSURED SPECIAL DELIVERY £6.00
EUROPE: AIR MAIL VIA INTERNATIONAL SIGNED FOR £10.00
USA, JAPAN ETC. AIRMAIL VIA INTERNATIONAL SIGNED FOR £12.00


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